Search results
Results from the WOW.Com Content Network
Fan print with two bugaku dancers is an ukiyo-e woodblock print dating to sometime between the mid-1820s and 1844 by celebrated Edo period artist Utagawa Kunisada, also known as Toyokuni III. This print is simultaneously an example of the uchiwa-e (fan print) and aizuri-e (monochromatic blue print) genres.
Pages for logged out editors learn more. ... File:Japanese Fan (Hakusen).png. Add languages. Page contents not supported in other languages. ... Printable version ...
Uchiwa-e (団扇絵) are a genre of Japanese ukiyo-e woodblock print, which appear on rigid, paddle-shaped hand fans known as uchiwa (団扇).Ovoid images matching the outline of uchiwa were printed on rectangular sheets of washi rice paper, then cut along the margins and pasted onto a skeletal bamboo frame.
Woodblock printing in Japan (木版画, mokuhanga) is a technique best known for its use in the ukiyo-e [1] artistic genre of single sheets, but it was also used for printing books in the same period. Invented in China during the Tang dynasty, woodblock printing was widely adopted in Japan during the Edo period (1603–1868).
Gifu fans at the Gifu City information centre Gifu fans ( 岐阜うちわ , Gifu Uchiwa ) are hand-held fans created as a special product of the city of Gifu in Gifu Prefecture , Japan . They have been labeled as one of Gifu's traditional crafts and have a history dating back to the Muromachi period . [ 1 ]
The print is Hokusai's best-known work and the first in his series Thirty-six Views of Mount Fuji, in which the use of Prussian blue revolutionized Japanese prints. The composition of The Great Wave is a synthesis of traditional Japanese prints and use of graphical perspective developed in Europe, and earned him immediate success in Japan and ...
Kanae Yamamoto's "Fisherman" (1904). Sōsaku-hanga (創作版画, "creative prints") was an art movement of woodblock printing which was conceived in early 20th-century Japan. . It stressed the artist as the sole creator motivated by a desire for self-expression, and advocated principles of art that is "self-drawn" (自画 jiga), "self-carved" (自刻 jikoku) and "self-printed" (自摺 jizur
The Hōeidō edition of the Tōkaidō is Hiroshige's best known work, and the best sold ever ukiyo-e Japanese prints. [2] Coming just after Hokusai's Thirty-six Views of Mount Fuji series, it established this new major theme of ukiyo-e, the landscape print, or fūkei-ga, with a special focus on "famous views".