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Holton-Farkas is a product line of French horns and mouthpieces created through the joint venture of musical instrument manufacturer Frank Holton & Co. and legendary horn virtuoso Philip Farkas. The first model was released in 1958, and although no new models are being made (Farkas died in 1992), the series is still being manufactured today. [1]
The French horn (since the 1930s known simply as the horn in professional music circles) is a brass instrument made of tubing wrapped into a coil with a flared bell. The double horn in F/B ♭ (technically a variety of German horn) is the horn most often used by players in professional orchestras and bands, although the descant and triple horn have become increasingly popular.
Horn players doubling on mellophone often use a smaller, lighter, conical ("funnel") mouthpiece, as used on French horns, with an adapter to allow them to fit in the larger-bore leadpipe of the mellophone. This style mouthpiece gives the instrument a warmer sound than using a trumpet mouthpiece, and allows French horn players to play the ...
Scheme of a French horn (view from underneath). #2: Leadpipe. In a brass instrument, a leadpipe or mouthpipe is the pipe or tube into which the mouthpiece is placed. For example, on the illustration of a trombone, the leadpipe would be between #3 and #4, the mouthpiece and the slide lock ring. In the illustration of a French horn, the leadpipe ...
According to Farkas [5] the mouthpiece should have 2 ⁄ 3 upper lip and 1 ⁄ 3 lower lip (French horn), 2 ⁄ 3 lower lip and 1 ⁄ 3 upper lip (trumpet and cornet), and more latitude for lower brass (trombone, baritone, and tuba).
Also, mouthpieces are selected to suit the embouchure of the player, to produce a certain timbre, or to optimize the instrument for certain playing styles. For example, trumpet and trombone mouthpieces are usually semi-spherical whereas French horn mouthpieces are conical.
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The natural horn is a musical instrument that is the predecessor to the modern-day (French) horn (differentiated by its lack of valves). Throughout the seventeenth and eighteenth centuries, the natural horn evolved as a separation from the trumpet by widening the bell and lengthening the tubes. [ 1 ]
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