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The script-based semantic theory of humor (SSTH) was introduced by Victor Raskin in "Semantic Mechanisms of Humor", published 1985. [39] While being a variant on the more general concepts of the Incongruity theory of humor (see above), it is the first theory to identify its approach as exclusively linguistic.
The comprehension-elaboration theory is not much different from the incongruity-resolution theory, however it accounts for several incongruities found in language that are not considered humorous. Corrected misunderstandings, scientific discoveries, and silent responses to ‘bad jokes’ all present incongruity-resolution characteristics, but ...
The punch (line) is the last part that violates that expectation. In the language of the Incongruity Theory, the joke’s ending is incongruous with the beginning.” ...
According to the incongruity theory, people find humor in unexpected twists and turns or in concepts that are fundamentally incompatible. Needless to say, a dog carrying around a “no dogs ...
In 1971, Paul Mc Ghee elaborated on humor within children focussing on the development of humor according to Piaget's developmental stages. Similarly interested to Freud in child-like humor, Mc Ghee extended Incongruity theory rather than supporting Freud's understanding of freed inhibition.
Mary K. Rodgers and Diana Pien analysed the subject in an essay titled "Elephants and Marshmallows" (subtitled "A Theoretical Synthesis of Incongruity-Resolution and Arousal Theories of humour"), and wrote that "jokes are nonsensical when they fail to completely resolve incongruities," and cited one of the many permutations of the elephant joke ...
Based on the incongruity theory of humor, it is suggested that the resulting meaningless but funny sentences are easier to remember. For example, the password AjQA3Jtv is converted into " Arafat joined Quayle 's Ant, while TARAR Jeopardized thurmond 's vase," an example chosen by combining politicians names with verbs and common nouns.
The superego allowed the ego to generate humor. [1] A benevolent superego allowed a light and comforting type of humor, while a harsh superego created a biting and sarcastic type of humor. [3] A very harsh superego suppressed humor altogether. [2] [3] Freud’s humor theory, like most of his ideas, was based on a dynamic among id, ego, and ...