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James Edgar Miller (1899–1993) was an American designer, painter, craftsman, master woodcarver and one of the nation's foremost stained-glass designers. He could sculpt and draw, and he was considered a pioneer in the use of graphic art in advertising.
The stained glass of Islam is generally non-pictorial and of purely geometric design, but may contain both floral motifs and text. Stained glass creation had flourished in Persia (now Iran) during the Safavid dynasty (1501–1736 A.D.), and Zand dynasty (1751–1794 A.D.). [27]
Irving Amen (1918-2011), stained glass; Gary Beecham (b. 1955) Howard Ben Tré (1949-2020) Martin Blank (b. 1962) Jean-Pierre Canlis (b. 1973) Frederick Carder (1863-1963) Ed Carpenter (b. 1946) Dale Chihuly (b. 1941) Deborah Czeresko (b. 1961) Dan Dailey (b. 1947) Fritz Dreisbach (b. 1941) Robert C. Fritz (1920-1986) Michael Glancy (1950-2020 ...
Came glasswork includes assembling pieces of cut and possibly painted glass using came sections. The joints where the came meet are soldered to bind the sections. When all of the glass pieces have been put within came and a border put around the entire work, pieces are cemented and supported as needed. [1]
One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]
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Medieval stained glass is the colored and painted glass of medieval Europe from the 10th century to the 16th century. For much of this period stained glass windows were the major pictorial art form, particularly in northern France, Germany and England, where windows tended to be larger than in southern Europe (in Italy, for example, frescos were more common).
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