Search results
Results from the WOW.Com Content Network
An apostrophe is an exclamatory figure of speech. [1] It occurs when a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes absent from the scene. Often the addressee is a personified abstract quality or inanimate object.
Poetic contractions are contractions of words found in poetry but not commonly used in everyday modern English. Also known as elision or syncope, these contractions are usually used to lower the number of syllables in a particular word in order to adhere to the meter of a composition. [1]
The Apostrophe to Vincentine" is a poem from Wallace Stevens's first book of poetry, Harmonium (1923). It was first published before 1923 and is therefore in the public domain according to Librivox. It was first published before 1923 and is therefore in the public domain according to Librivox.
In poetry, they act as non-verbal tools of poetic expression. A form of artistic choice, the poet's choice of punctuation is central to our understanding of poetic meaning because of its ability to influence prosody. The unorthodox use of punctuation increases the expressive complexity of poems, or may be used to align poetic metres.
This is an accepted version of this page This is the latest accepted revision, reviewed on 26 October 2024. Poem by Walt Whitman on the death of Abraham Lincoln "Oh Captain, My Captain" redirects here. For the Grimm episode, see Oh Captain, My Captain (Grimm). For the Shameless episode, see O Captain, My Captain (Shameless). O Captain! My Captain! by Walt Whitman Printed copy of "O Captain! My ...
"The Road Not Taken" is a narrative poem by Robert Frost, first published in the August 1915 issue of the Atlantic Monthly, [1] and later published as the first poem in the 1916 poetry collection, Mountain Interval. Its central theme is the divergence of paths, both literally and figuratively, although its interpretation is noted for being ...
The poem begins with three sections describing the wind's effects upon earth, air, and ocean. In the last two sections, the poet speaks directly to the wind, asking for its power, to lift him up and make him its companion in its wanderings. The poem ends with an optimistic note which is that if winter days are here then spring is not very far.
The poem incorporates a complex reliance on assonance, which is found in very few English poems. Within "Ode on a Grecian Urn", an example of this pattern can be found in line 13 ("Not to the sensual ear, but, more endear'd") where the "e" of "sensual" connects with the "e" of "endear'd" and the "ea" of "ear" connects with the "ea" of "endear'd".