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1400–1500: During the Renaissance it was fashionable for men to wear a number of chains, plaques, and pendants around their necks, and by the end of the 15th century the wealthiest men would wear great, shoulder covering collars inlaid with gems. [4] Women typically wore simpler pieces, such as gold chains, or strung beads or pearls. [11]
The use of braided hair was also incorporated in the floral arrangements used at funerals. [8] Other than their use as a romantic keepsake and their use at funerals, hair jewellery represented a material object and popular fashion accessory. Hair jewellery was not worn and accessible for all, its use was limited to middle class and upper class ...
In modern French, pendant is the gerund form of pendre ("to hang") and also means "during". The extent to which the design of a pendant can be incorporated into an overall necklace makes it not always accurate to treat them as separate items. [2] In some cases, though, the separation between necklace and pendant is far clearer. [2]
The Lavalier by Guy Rose. A lavalier or lavaliere or lavalliere is an item of jewelry consisting of a pendant, sometimes with one stone, pendulous and centered from a necklace. The style was popularized by the Duchesse de la Vallière, a mistress of King Louis XIV of France. [1]
A ravishing new stone age unfolds as jewelry maisons seize on the ancient art of stone carving, turning out a spate of sculptural baubles and objets d’art.
Goldsmiths used the techniques of soldering, plating and gilding to create a larger workable surface or to cover a secondary metal with a thin layer of gold for jewelry design. First, the goldsmith would start with a gold ingot, which would then be hammered into a sheet, a foil or a leaf of gold. [29]
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