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Tumi (Quechua for 'Knife', variants: 'Tome', 'Tume'), is a generic term encompassing the many kinds of sharp tools utilized in pre- and post-colonial eras of the Central Andes region, Tumis were employed for a diverse set of purposes such as kitchen knives, agricultural tools, warrior or hunting secondary weapons, sacrificial knives, barber ...
Tumi, Inc. was a unit of Doughty Hanson & Co. from 2004 until after its 2012 initial public offering. [2] [3] Tumi's products are known for their black-on-black ballistic nylon. [4] Tumi is available at department stores and specialty stores, as well as over 120 Tumi stores and 200 shops around the world. [5]
In "Sonponnoi" (1987), there is a headless black figure, decorated in white and black spots, holding three burning candles on his groin. Sonponnoi is one of the most powerful orishas in the Yoruba pantheon; he is the god of smallpox. Fani-Kayode adorned the figure with spots to represent a Sonponnoi's smallpox and Yoruba tribal marks. The ...
Lamassu at the Iraq Museum, Baghdad.. The goddess Lama appears initially as a mediating goddess who precedes the orans and presents them to the deities. [3] The protective deity is clearly labelled as Lam(m)a in a Kassite stele unearthed at Uruk, in the temple of Ishtar, goddess to which she had been dedicated by king Nazi-Maruttash (1307–1282 BC). [9]
Llama artwork created by the Inca shows further reverence towards llamas, an example of this is a depiction of a llama constructed out of pure gold, an extremely valuable material for the Inca because of its religious significance as it was considered the sweat of the sun, the most worshipped deity for the Inca, Inti. [28] Pumas
The guanaco (/ ɡ w ɑː ˈ n ɑː k oʊ / ghwuah-NAH-koh; [3] Lama guanicoe) is a camelid native to South America, closely related to the llama. Guanacos are one of two wild South American camelids; the other species is the vicuña, which lives at higher elevations.
The Island of Marajó, at the mouth of the Amazon River was a major center of ceramic traditions as early as 1000 CE [45] and continues to produce ceramics today, characterized by cream-colored bases painted with linear, geometric designs of red, black, and white slips.
The Llama llama, also spelled Llamallama or Lama lama, was probably a dance with the characteristics of a farce or a disguise game with acrobatic elements. [1] It is believed that the name of the dance came from the Aymara language , [ 1 ] which was the name the Aymara people used to describe the Urus dressed as dancing demons.