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Alleluia! Alleluia! Sing a New Song to the Lord; Alleluia! Sing to Jesus; Alma Redemptoris Mater; Angels We Have Heard on High; Anima Christi (Soul of my Saviour) Asperges me; As a Deer; As I Kneel Before You (also known as Maria Parkinson's Ave Maria) At That First Eucharist; At the Lamb's High Feast We Sing; At the Name of Jesus; Attende ...
Eastern Orthodox icon of the Praises of the Theotokos, before which the Akathist hymn to Mary may be chanted. Marian hymns are Christian songs focused on Mary, mother of Jesus. They are used in devotional and liturgical services, particularly by the Roman Catholic, Eastern Orthodox, Oriental Orthodox, Anglican, and Lutheran churches. [citation ...
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The Magnificat (Latin for "[My soul] magnifies [the Lord]") is a canticle, also known as the Song of Mary or Canticle of Mary, and in the Eastern Orthodox Church as the Ode of the Theotokos (Greek: Ἡ ᾨδὴ τῆς Θεοτόκου). Its Western name derives from the incipit of its Latin text.
Canticle Six — The Prayer of Jonah (Jonah 2:2–9) Canticle Seven — The Prayer of the Three Holy Children (Daniel 3:26-56) [5] Canticle Eight — The Song of the Three Holy Children (Daniel 3:57-88) [5] Canticle Nine — The Song of the Theotokos (the Magnificat: Luke 1:46–55); the Song of Zacharias (the Benedictus Luke 1:68–79)
"Scarborough Fair/Canticle" appeared as the lead track on the 1966 Simon & Garfunkel album Parsley, Sage, Rosemary and Thyme in counterpoint with "Canticle", a reworking of the lyrics from Simon's 1963 anti-war song "The Side of a Hill". [23] The duo learned their arrangement of the song from Martin Carthy, but did not credit him as the arranger.
"Mary, Did You Know?" is a Christmas song addressing Mary, mother of Jesus, with lyrics written by Mark Lowry in 1985, and music written by Buddy Greene in 1991. It was originally recorded by Christian recording artist Michael English on his self-titled debut solo album in 1991.
The Seven Joys of Mary (1480), Hans Memling "The Seven Joys of Mary" (Roud # 278) is a traditional carol about Mary's happiness at moments in the life of Jesus, probably inspired by the trope of the Seven Joys of the Virgin in the devotional literature and art of Medieval Europe.