Search results
Results from the WOW.Com Content Network
Through subsequent research, it became apparent that not every cleft head nor every downturned mouth represented a werejaguar. [9] Some researchers have therefore refined the werejaguar supernatural, specifically equating it with the Olmec rain deity, [10] a proposition that artist, archaeologist, and ethnographer Miguel Covarrubias had made as early as 1946 in Mexico South.
In the surviving Olmec archaeological record, jaguars are rarely portrayed naturalistically, but rather with a combination of feline and human characteristics. These feline anthropomorphic figures may range from a human figure with slight jaguar characteristics to depictions of figures in the so-called transformative pose, kneeling with hands ...
Olmec arts are strongly tied to the Olmec religion, which prominently featured jaguars. [53] The Olmec people believed that in the distant past a race of werejaguars was made between the union of a jaguar and a woman. [53] One werejaguar quality that can be found is the sharp cleft in the forehead of many supernatural beings in Olmec art.
Las Limas Monument 1, also known as the Las Limas figure or the Señor de las Limas, is a 55 centimetres (22 in) greenstone figure of a youth holding a limp were-jaguar baby.
San Lorenzo and the Olmec heartland.. Matthew Stirling was the first to begin excavations on the site after a visit in 1938. [12] Between 1946 and 1970, four archaeological projects were undertaken, including one Yale University study headed by Michael Coe and Richard Diehl conducted between 1966 and 1968, followed by a lull until 1990.
For premium support please call: 800-290-4726 more ways to reach us
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more
Joralemon states that the Olmec rain spirit "is based on were-jaguar features", but is not the were-jaguar per se. [19] More recent scholarship by Tate (2012) questions the existence of "were-jaguar" imagery [d] and instead argues for the centrality of embryo-corn kernel iconography within Olmec iconography. [20]