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Sally Mann (born Sally Turner Munger; May 1, 1951) [1] is an American photographer known for making large format black and white photographs of people and places in her immediate surroundings: her children, husband, and rural landscapes, as well as self-portraits.
In 2017, for her portrait for the National Portrait Gallery, former First Lady Michelle Obama chose the artist Amy Sherald, who like Obama is African American. [1] Both the President and First Lady met with Sherald as a candidate to paint their respective portraits, but Sherald and Michelle Obama had an immediate connection.
Egyptian Fellah Woman with her Child, at and by Elisabeth Jerichau-Baumann Adoration of the Magi , by Fra Angelico and Filippo Lippi (edited by Coldcreation ) The Denial of St. Peter , at and by Gerard Seghers
Portrait of a Woman Inspired by Lucretia is an oil-on-canvas portrait by the Italian Renaissance artist Lorenzo Lotto, created c. 1533. It is now in the National Gallery, London , which bought it in 1927.
Head of an Old Greek Woman; Head of a Woman (Leonardo, Turin) Head of a Young Woman; Head of an Old Farmer's Wife in a White Hat; Head on a Green Sofa; Helena Fourment with a Carriage; Helena Fourment with Children; Helena Fourment with Her Son Frans; Helvig Paus (painting) Portrait of Queen Henrietta Maria, as St Catherine; Triple Portrait of ...
McConnell took a collection of family portraits from the females in her Christine McConnell, an LA based photographer, proves just how much she looks like her ancestors. Woman recreates ...
Most paintings of the period that include black women show them as servants to a white woman; while Madeline sits alone, she is working as a model to the unseen Benoist. The simple white clothes have a neoclassical air, similar to other contemporary portraits such as Jacques-Louis David’s 1799 portrait of Henriette de Verninac. The bared ...
Plastov chose a subject where nudity seems natural to the viewer: a young woman in the open anteroom of a village bathhouse dressing a little girl. [1] [2] The artist combines the naked body of a young woman with "pink — nacre tones" and russet hair with the gray wooden walls, the soot-blackened door of the bathhouse, and the warm golden straw on the floor of the anteroom.
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