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In El Salvador and Guatemala it is common to place an indefinite article before a possessive pronoun, as in una mi tacita de café lit. ' a my cup of coffee '. Very rarely the possessive can be combined with a demonstrative pronoun, like aquella su idea lit. ' that his/her/their idea '.
The Monumento a La Raza at Avenida de los Insurgentes, Mexico City (inaugurated 12 October 1940) Flag of the Hispanic People. In Mexico, the Spanish expression la Raza [1] ('the people' [2] or 'the community'; [3] literal translation: 'the race' [2]) has historically been used to refer to the mixed-race populations (primarily though not always exclusively in the Western Hemisphere), [4 ...
Blanqueamiento in Spanish, or branqueamento in Portuguese (both meaning whitening), is a social, political, and economic practice used in many post-colonial countries in the Americas and Oceania to "improve the race" (mejorar la raza) [1] towards a supposed ideal of whiteness. [2]
The Centro Cultural de la Raza (Spanish for Cultural Center of the People) is a non-profit organization with the specific mission to create, preserve, promote and educate about Chicano, Mexicano, Native American and Latino art and culture. It is located in Balboa Park in San Diego, California.
Torres was one of the founders of the Centro Cultural de la Raza, also in San Diego.He helped form Los Toltecas en Aztlán, a Chicano artists group that was instrumental in converting a former water tank [3] in Balboa Park into a museum and cultural center with the specific mission of promoting, preserving and creating Chicano, native Mexicano, Latin American and Indian art and culture.
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Católicos por La Raza, a Chicano-Catholic organization; El Centro de la Raza, a community center in Seattle; Centro Cultural de la Raza, a cultural center in San Diego, California; Galería de la Raza, a San Francisco Bay Area art gallery; National Council of La Raza, a political advocacy group; La Raza Nation, a Chicago-based gang
The Monumento a la Raza featured three partly-naked people, a Spanish conquistador who raised his left fist in the air and embraced an indigenous woman, who held their mestizo child. [5] According to a writer from Pitalito Noticias, it described José Eustasio Rivera's "cultural syncretism pointing to the immensity of the land of promise". [7]