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Social sculpture is a phrase used to describe an expanded concept of art that was invented by the artist and founding member of the German Green Party, Joseph Beuys. Beuys created the term "social sculpture" to embody his understanding of art's potential to transform society. As a work of art, a social sculpture includes human activity that ...
Beuys copied the coyote, roaming when it roamed, resting when it rested. At the end of the performance, Beuys, still wrapped in felt, returned home to Germany in the same manner whence he came. [2] Caroline Tisdall, Beuys's collaborator and travel companion, documented the performance in black and white photographs and on video. [4]
Beuys' 7000 Oaks work is an example of the thread that links the Situationist International's approach to art and its re-creation by new groups continues to evolve through a new generation of socially conscious organizations that merge art, education, and environmental issues in their work.
The Broad, with the Getty's PST Art, is presenting an exhibition of Joseph Beuys' work and planting trees in Elysian Park and at the Kuruvungna Village Springs. The Broad, with the Getty's PST Art ...
Joseph Heinrich Beuys (/ b ɔɪ s / BOYSS, German: [ˈjoːzɛf ˈbɔʏs]; 12 May 1921 – 23 January 1986) was a German artist, teacher, performance artist, and art theorist whose work reflected concepts of humanism and sociology.
The Performance artist, sculptor, and theorist Joseph Beuys was perhaps the most influential German artist of the late 20th century. [58] His main contribution to theory was the expansion of the Gesamtkunstwerk to include the whole of society, as expressed by his famous expression "Everyone is an artist".
Pages in category "Joseph Beuys" ... Social sculpture This page was last edited on 22 August 2023, at 17:23 (UTC). Text is available under the ...
How to Explain Pictures to a Dead Hare (German: Wie man dem toten Hasen die Bilder erklärt) is a performance piece staged by the German artist Joseph Beuys on 26 November 1965 at the Galerie Schmela in Düsseldorf. While it was only Beuys’s first solo exhibition in a private gallery, it is sometimes referred to as his best known action. [1]