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The Gauss Speaker Company, later known as Cetec Gauss, was a Sun Valley loudspeaker company. They were approved by Fender Musical Instruments Corporation [ 1 ] and found widespread use among rock musicians of the 1960s through the 1990s [cite?] .
They were made in three sizes, 1×8" (one 8-inch speaker), 1×10", and 1×15". They are all very rare today and few have survived. The first amplifiers made in-house by the Fender Electric Instrument Company were a significant step up in size and function to the small, nameless amps that preceded them, however, they didn't have technological ...
1955 Twin-Amp, model 5E8. Dual rectifiers and 6L6 power tubes, twin 12" speakers. After the preceding looks of the early 1950s (TV front from 1950 to 51/2; wide panel '52–54), Leo Fender changed the cabinet design again, this time opting for no extra wood on the front of the amp, except for the narrow top and bottom panels that hold the baffle board to the cabinet.
Fender introduced a reissue '65 Super Reverb in 2001 featuring a printed circuit board design rather than the hand-wired circuitry of the original '65 Super Reverb. [1] [2] The Super Reverb is commonly used by blues guitarists due to its ability to deliver loud, warm tube distortion through its four 10" speakers. [3]
The speaker configuration remained 4-10" speakers usually made by either Jensen or Oxford (for the earlier models) as opposed to Utah or CTS (for the later models). The Concert joined the Fender Twin Amp, and Fender Vibrasonic as the only models with the more robust and expensive "large-iron" output transformers. Over this period, the Concert ...
The original Deluxe Reverb (circuits AA763, and later AB763) was introduced during the "black panel" era of Fender amplifiers with a black control panel and white lettering. [1] In 1967, two years after Fender was purchased by CBS, Fender began issuing amps with a silver metallic control face and light blue lettering. This gave birth to the ...
John Lennon's Framus Hootenanny guitar, used by the late Beatle on the band's 1965 'Help!' album, sold at auction for nearly five times its estimated price.
The current look is the TV-front with two-tone tolex and speaker grille cloth of imitation suede. After Fender took on marketing, production and distribution for Gretsch, the same electronics were available with a different look and feel – based on "tweed" Fender amps, despite the branding – as the Gretsch G5222 Electromatic. Production of ...
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