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Panels are made slightly smaller than the available space within the frame to provide room for movement. Wood will expand and contract across the grain, and a wide panel made of solid wood could change width by a half of an inch, warping the door frame. By allowing the wood panel to float, it can expand and contract without damaging the door.
The hashira-ma might be filled with fixed walls, in cheaper Japanese homes. For example, there might be lath-and-plaster walls, or in colder areas thatch walls; these are still used in rustic teahouses and historic buildings (see images). Bark-and-bamboo walls, clapboard, and board-and-batten walls were also used. [91]
In Qatari architecture, houses are viewed as a private entity, meant to be discreet and unassuming from street view. Typically, only one external wall faces the street, and it is designed to maintain privacy, often featuring minimal openings. Any windows or doors are screened to prevent outsiders from seeing into the household's private areas ...
The carpentry consists of a timber frame with vertical planks extending from sill to plate. Sometimes there are studs at the doors but mostly the vertical planks replace the studs. Both wood shingle or clapboard exterior siding and interior lath and plaster attach directly to the planks. [10]
Walls were often built of adobe brick and covered with plaster, or more simply used board and batten wood siding. Roofs were low and simple, and usually had wide eaves to help shade the windows from the Southwestern heat. Buildings often had interior courtyards which were surrounded by a U-shaped floor plan. Large front porches were also common ...
The abstraction of clouds and mist as well as the other "oriental" characteristics applied to the house's doors, windows, screens, beams, chair, lanterns, and more were another way that the house showed its emphasis on nature as "forms found in nature are the inspiration for these patterns." [citation needed] The three entry doors of the Gamble ...
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