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The Hanukkah Sessions are a series of video presentations of popular songs originally written or performed by Jewish artists, as covered by musicians Greg Kurstin and Dave Grohl. Kurstin and Grohl covered eight songs per year for this project, and released one per night to digital streaming platforms for each night of Hanukkah in the years 2020 ...
Song of Songs (Cantique des Cantiques) by Gustave Moreau, 1893. The Song of Songs (Biblical Hebrew: שִׁיר הַשִּׁירִים , romanized: Šīr hašŠīrīm), also called the Canticle of Canticles or the Song of Solomon, is a biblical poem, one of the five megillot ("scrolls") in the Ketuvim ('writings'), the last section of the Tanakh.
Chabad adherents switch between standard English and a "Jewish English" which is a Jewish variety of English with influences from Yiddish, textual Hebrew and modern Hebrew. [ 7 ] Song and music – Like many other Hasidic groups, Chabad attaches importance to singing Chabad Hasidic nigunim (melodies), usually without words, and following ...
The modern Hebrew calendar has been designed to ensure that certain holy days and festivals do not fall on certain days of the week. As a result, there are only four possible patterns of days on which festivals can fall. (Note that Jewish days start at sunset of the preceding day indicated in this article.)
'Shabbat of Song') is the name given to the Shabbat that includes parashat Beshalach. The Torah reading of the week contains the Song of the Sea (Book of Exodus 15:1–18). This was the song by the Israelites after crossing the Red Sea. There is no special Torah reading. The haftarah includes the Song of Deborah. There is an Ashkenazi custom to ...
The Song of Songs (Hebrew: שיר השירים Shir ha-Shirim) is read publicly in some communities, especially by Ashkenazim, on the Sabbath of Passover. In most Mizrahi Jewish communities it is read publicly each week at the onset of the Shabbat (Sabbath). There is also a widespread custom to read it at the end of the Passover Seder.
The author draws from the rabbinic interpretation of the Song of Songs, suggested as linguistically originating in the 3rd century BCE, in which the maiden is seen as a metaphor for an ancient Jewish population residing within Israel's biblical limits, and the lover (dod) is a metaphor for God, and from Nevi'im, which uses the same metaphor. [6]
The date of composition of this midrash cannot be exactly determined. Song of Songs was interpreted aggadically at a very early time, and certain rules for this aggadic interpretation were formulated: for example, the rule adopted by Judah ben Ilai, [6] and the rule (in Shevuot 35b) for the interpretation of the name for Solomon used in Song of Songs.