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Viola – C 3 G 3 D 4 A 4 (a perfect fifth below a violin's standard tuning) Cello – C 2 G 2 D 3 A 3 (an octave lower than the viola) Double bass – E 1 A 1 D 2 G 2 (ascending perfect fourths, where the highest sounding open string coincides with the G on a cello). Double bass with a low C extension – C 1 E 1 A 1 D 2 G 2 (the same, except ...
Thus, A 0 refers to the first A above C 0 and middle C (the one-line octave's C or simply c′) is denoted as C 4 in SPN. For example, C 4 is one note above B 3, and A 5 is one note above G 5. The octave number is tied to the alphabetic character used to describe the pitch, with the division between note letters ‘B’ and ‘C’, thus:
While octaves commonly refer to the perfect octave (P8), the interval of an octave in music theory encompasses chromatic alterations within the pitch class, meaning that G ♮ to G ♯ (13 semitones higher) is an Augmented octave (A8), and G ♮ to G ♭ (11 semitones higher) is a diminished octave (d8).
E 2 E 1 •A 2 A 1 •D 3 D 2 •G 3 G 2: Eight-string bass guitar, 8-string bass US Essentially a 4-string bass with each string doubled at the upper octave. Guitar, bass (12-string) 12 strings 4 courses. E 2 E 2 E 1 •A 2 A 2 A 1 •D 3 D 3 D 2 •G 3 G 3 G 2: Twelve-string bass guitar, 12-string bass US Similar to an 8-string bass with ...
French clef C major scale, French violin clef. Play ⓘ A G-clef placed on the first line is called the French clef, or French violin clef. It was used in France in the seventeenth and eighteenth centuries for violin music and flute music. [3] It places the notes in the same staff positions as the bass clef, but two octaves higher.
The just perfect fifth can be heard when a violin is tuned: if adjacent strings are adjusted to the exact ratio of 3:2, the result is a smooth and consonant sound, and the violin sounds in tune. Keyboard instruments such as the piano normally use an equal-tempered version of the perfect fifth, enabling the instrument to play in all keys.
[2] The Pythagorean scale is any scale which can be constructed from only pure perfect fifths (3:2) and octaves (2:1). [5] In Greek music it was used to tune tetrachords, which were composed into scales spanning an octave. [6] A distinction can be made between extended Pythagorean tuning and a 12-tone Pythagorean temperament.
The rest of the combination tones are octaves of 100 Hz so the 7:5 interval actually contains four notes: 100 Hz (and its octaves), 300 Hz, 500 Hz and 700 Hz. The lowest combination tone (100 Hz) is a seventeenth (two octaves and a major third) below the lower (actual sounding) note of the tritone.