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In colonial New England, it was common for the colonial meeting house to have box pews. Families would typically sit together in a box pew, and it is theorized that the concept of the box pew resulted from the fact that the early meeting houses were not heated, and the walls of the box pews would minimize drafts, thus keeping the occupants relatively warmer in the winter.
"Churches as they were, and as they will be", illustration of church pews from Milford Malvoisin, or Pews and Pewholders (1842), by Francis Edward Paget. Pew rental emerged as a source of controversy in the 1840s and 1850s, especially in the Church of England. The legal status of pew rents was, in many cases, questionable. [9]
Church Pew with Worshippers is a watercolor created in September-October 1882 by Vincent van Gogh. [1] A sketch of the painting was included in a letter van Gogh sent to his brother Theo that mentions the work.
The colonial meeting house was the central focus of every New England town, and was usually the largest building in the town. They were simple buildings with no statues, decorations, stained glass, or crosses on the walls. Box pews were provided for families, and single men and women (and slaves) usually sat in the balconies. Large windows were ...
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In its execution the original arrangement of pews and aisles, which had hitherto remained substantially unchanged, was very greatly altered. The box and high-back pews were changed to low-back seats; the brick pavement disappeared with the old form of the aisles; the chancel was enlarged, and the wine-glass pulpit was removed.
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