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The first season of the series, titled Medici: Masters of Florence, premiered in Italy on Rai 1 on 18 October 2016. It takes place in 1429, the year Giovanni de' Medici , head of the family, died. His son Cosimo succeeds him as head of the family bank, the richest in Europe at the time, and fights to preserve his power in Florence.
Main role (season 2) 2008–09 I liceali: Valerio Campitelli Main role (season 1-2) 2011 R.I.S. Roma: Randone's grandson Episode: "Via la maschera" 2014 Un matrimonio: Angelo Dagnini 3 episodes A testa alta: Vittorio Marandola Television film 2015 Caccia al Re – La narcotici: Zeno Ribosi Main role (season 2) 2016 Medici: Piero de' Medici ...
Richard Madden (born 18 June 1986) is a Scottish actor. He was cast in his first role at age 11 and made his screen acting debut in 2000. He later began performing on stage whilst a student at the Royal Conservatoire of Scotland.
Naomi Battrick as Anne d'Etampes (season 1), one of Francis I's mistresses; Colm Meaney as Francis I (season 1) Rebecca Gethings as Queen Eleanor (season 1) Gemma Dobson as Nathalie (season 1), a kitchen servant; Antonia Clarke as Mary, Queen of Scots (season 1; guest season 2) Steve Furst as Dr. Fernel; Lee Ingleby as Henri II (season 1)
Williams appeared in Casualty, Reign, Medici, and Curfew, before appearing in Changeland with Seth Green and Macaulay Culkin. [4] Williams plays the lead in the 2019 Andrew Davies adaptation of Sanditon, the unfinished novel by Jane Austen. [1] Her role in Reign required her to be based in Toronto for three years. [2]
Jacob Stanley Dudman (born 22 August 1997) [1] is an English actor, writer and filmmaker. He is known for his roles in the Netflix programs The Stranger (2020), The Last Kingdom: Seven Kings Must Die (2023), Medici (2019), Fate: The Winx Saga (2021–2022) and the BBC iPlayer series The A List (2018); as well as various Doctor Who audio dramas for Big Finish Productions.
In his book, Un Esprit Libre (A Free Spirit), published in France in 1977, the year he died, Rossellini wrote of his belief that the cinema had reached a dead end.Instead he felt there was a pressing societal need for an education for the whole person in order to free people from the terrible dangers of specialization, which he saw as another form of ignorance.
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