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Josh Vietti is an American violinist and composer from Los Angeles. [1] [2] In December 2012, he was named one of Los Angeles' Best Breakout Music Acts of 2012 by CBS Los Angeles for his unique talent and contributions to music education. [3]
Josephine Augusta Trott (December 24, 1874 - March 2, 1950) was an American author, composer, and music educator who sometimes wrote under the pseudonym Colin Shepherd. [1] Her violin pedagogy books are still in use today. [2] Trott was born in Wilmington, Illinois, to Dr. Stenson E. and Augusta J. Trott. [3]
The Art of Violin Playing Books 1 & 2, Carl Flesch. Edited by Eric Rosenblith. Carl Fischer Music ISBN 0-8258-2822-8 and ISBN 0-8258-6590-5; The Armenian Bowing Art, Anahit Tsitsikian,Published by “Edit Print” print house Yerevan, 2004.(in Russian) The Art of Violin Playing, Daniel Melsa, Foulsham & Co. Ltd.
Derryck Gleaton (born 30 August 1988), better known as DSharp, is an American violinist, DJ, singer and producer based in Atlanta, Georgia. [1] Known for his trademark colored violins, he writes his own music and performs cover versions of popular songs, focusing on hip hop, electronic dance music and classical pieces.
The Roots of Rap is a Junior Library Guild book. [5] Kirkus Reviews and the New York Public Library named it among the best picture books of 2019, [6] [7] and the Chicago Public Library named it among the year's Best Informational Books for Younger Readers. [8] Booklist also included it on their 2019 list of the "Top 10 Arts Books for Youth". [9]
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The Violin Player features a varied blend of music – covers of classical music (J.S. Bach's Toccata and Fugue in D minor), remakes of old favourites (including American composer Mason Williams' "Classical Gas"), original compositions (seven tracks composed by British musician and songwriter Mike Batt), and one original track by Vanessa-Mae herself, co-written with Ian Wherry ("Red Hot").
Similar systems are used by musicologists Adam Krims in his book Rap Music and the Poetics of Identity [37] and Kyle Adams in his work on rap's flow. [38] As rap usually revolves around a strong 4/4 beat, [ 39 ] with certain syllables aligned to the beat, all the notational systems have a similar structure: they all have four beat numbers at ...