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"Girl from the North Country" (occasionally known as "Girl of the North Country" [1]) is a song written by Bob Dylan. It was recorded at Columbia Recording Studios in New York City in April 1963, and released the following month as the second track on Dylan's second studio album, The Freewheelin' Bob Dylan.
A 25-track, 2-disc collection of songs taken from Bob Dylan's original studio albums, entitled The Music Which Inspired Girl from the North Country: The Original Bob Dylan Recordings, was released in January 2018. [16]
Bob Dylan's Dream [437] Girl from the North Country [437] It Ain't Me Babe [437] Love Minus Zero/No Limit [437] Mr. Tambourine Man [437] The Times They Are A-Changin' [437] Tomorrow Is a Long Time [437] Silversun Pickups: Not Dark Yet [3] Carly Simon: The Times They Are a-Changin' [34] Just Like a Woman [3] Simon & Garfunkel: The Times They Are ...
'Girl From the North Country,' now having its L.A. premiere at the Hollywood Pantages, stitches together Bob Dylan classics in a play by Irish playwright Conor McPherson.
PITTSBURGH ― Wayward souls collide in a 1934 Duluth, Minn., boarding house in Broadway's Bob Dylan jukebox musical "Girl From The North Country" playing through Sunday at the Benedum Center.
Bob Dylan's songs are reimagined in the Tony-winning musical, but you don't have to be a mega-fan or even a casual listener of his to see the show. 9 things to know as the Bob Dylan musical 'Girl ...
Dylan, when asked point-blank in 1986 whether Helstrom was the Girl, characteristically prevaricated with an answer of only "Well, she's a north country girl through and through". [12] Dylan expert Michael Gray averred in The Bob Dylan Encyclopedia that in his opinion Helstrom was likely, at least in part, an inspiration for Dylan's song "Hazel ...
The concept of recording a country album in Nashville was first discussed with Dylan in 1965 by Johnny Cash, who expressed interest in producing such an album. [5] " I've got my own ideas about that Nashville sound and I'd like to try it with Bob," Cash said in a March 1965 interview with Music Business magazine.