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A part of this sign, relic known as the "Title" or "Titulus Crucis", kept in the Cappella delle Reliquie in Rome, Italy. Saint Helena, Roman Empress and mother of Emperor Constantine the Great, went on pilgrimage to the Holy Land and reportedly discovered the True Cross and many other relics which were donated to the church of Santa Croce in Gerusalemme ("Holy Cross in Jerusalem") which she ...
Cimabue achieves a masterful handling of colour; medieval churches tended to be extremely colourful, with frescoed walls, painted capitals, and gold leaf paintings. [8] Pale tonalities dominate, with the main contrast found in the dark areas of Christ's hair and beard, which are utilised to make the features of his face stand out more and position his head as the focal point.
A cross with a figure of Christ affixed to it is termed a crucifix and the figure is often referred to as the corpus (Latin for "body"). The term Greek cross designates a cross with arms of equal length, as in a plus sign, while the Latin cross designates a cross with an elongated descending arm.
The Christian cross, seen as representing the crucifixion of Jesus, is a symbol of Christianity. [1] It is related to the crucifix, a cross that includes a corpus (a representation of Jesus' body, usually three-dimensional) and to the more general family of cross symbols.
Flags with crosses are recorded from the later Middle Ages, e.g. in the early 14th century the insignia cruxata comunis of the city of Genoa, the red-on-white cross that would later become known as St George's Cross, and the white-on-red cross of the Reichssturmfahne used as the war flag of the Holy Roman Emperor possibly from the early 13th ...
The two mourners at the ends of the arms of the cross are depicted from the side, rather than from the front, as in Cimabue's Santa Croce Crucifix, fifteen years earlier. They are more volumetric due to their pose, the swelling of the drapery and the attention paid to the origin of the only source of light.
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