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In 1980, Shaw donated his papers, most of which amounted to his music library of over 700 scores and parts and approximately 1,000 pieces of sheet music, to Boston University. In 1991, the collection was transferred to the School of Music of the University of Arizona in Tucson. In 2004, he received a Grammy Lifetime Achievement Award.
The Lord is my light and my salvation. Whom, then shall I fear? The Lord is the strength of my life. Of whom then shall I be afraid? Though a host of men were laid against me, yet shall not my heart be afraid; And tho’ there rose up war against me, yet will I put my trust in Him. For in the time of trouble, He shall hide me in His tabernacle.
City on a Hill: Songs of Worship and Praise (released in 2000) is the first in the City on a Hill series of compilation albums by popular Contemporary Christian Music musicians. It received the Gospel Music Association 's Special Event Album of the Year award for 2001.
All of My Life" is a 1944 song composed by Irving Berlin. [1] It was first recorded in 1945 by Bing Crosby [ 2 ] whose version reached No. 12 in the Billboard charts. Other chart hits in 1945 were by Sammy Kaye and his Orchestra (vocal by Billy Williams) and by The Three Suns .
The Lyrical Clarinet: Michael McHale 2011 [34] Weber: Clarinet Concertos Nos. 1 & 2 / Clarinet Concertino / Horn Concertino: Stephen Stirling and City of London Sinfonia: 2012 [35] British Clarinet Sonatas, Vol. 1: Michael McHale [36] British Clarinet Concertos, Vol. 1: BBC Symphony Orchestra [37] Mozart, Copland, Kats-Chernin: Works for ...
"My Everything" is a song by American electronica project Owl City. The song was released on June 5, 2015 as the second single from his fifth studio album, Mobile Orchestra . [ 1 ] The song reached number 22 the US Hot Christian Songs chart.
Concerto for Clarinet is a composition for clarinet and jazz orchestra by Artie Shaw.The piece ends with a "legendary" altissimo C. [1] The piece is a "pastiche thrown together out of some boogie-woogie blues, clarinet-over-tomtom interludes, a commonplace riff build-up towards the end, all encased in opening and closing virtuoso cadenzas for the leader's clarinet".
Although the 1911 sheet music cover drawn by artist John Frew depicts the band's musicians as either white or biracial, [1] Berlin's "Alexander's Ragtime Band"—and his earlier 1910 composition "Alexander and His Clarinet"—employ certain idiomatic expressions ("oh, ma honey", "honey lamb") and vernacular English ("bestest band what am") in ...
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