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A contrast effect is the enhancement or diminishment, relative to normal, of perception, cognition or related performance as a result of successive (immediately previous) or simultaneous exposure to a stimulus of lesser or greater value in the same dimension. (Here, normal perception, cognition or performance is that which would be obtained in ...
The diagram first appeared in Imagery and Visual Expression in Therapy by Vija B. Lusebrink (1990). [1] The Expressive Therapies Continuum (ETC) is a model of creative functioning [2] used in the field of art therapy that is applicable to creative processes both within and outside of an expressive therapeutic setting. [3]
Impressions are stored in the seat of perception, linked by the laws of similarity, contrast, and contiguity. In psychology, the principal laws of association are contiguity, repetition, attention, pleasure-pain, and similarity. The basic laws were formulated by Aristotle in approximately 300 B.C. and by John Locke in the seventeenth century ...
British psychotherapist Paul Newham using Expressive Therapy with a client. The expressive therapies are the use of the creative arts as a form of therapy, including the distinct disciplines expressive arts therapy and the creative arts therapies (art therapy, dance/movement therapy, drama therapy, music therapy, writing therapy, poetry therapy, and psychodrama).
These special laws logically follow from the general laws above: A - Primary - Modes of the Laws of Repetition and Redintegration: (1) Law of Similars (Analogy, Affinity); (2) Law of Contrast; and (3) Law of Coadjacency (Cause and Effect, etc.). B - Secondary - Modes of the Law of Preference, under the Law of Possibility:
Art therapy is a distinct discipline that incorporates creative methods of expression through visual art media. Art therapy, as a creative arts therapy profession, originated in the fields of art and psychotherapy and may vary in definition. Art therapy encourages creative expression through painting, drawing, or modelling.
In Chevreul's 1839 book The principles of harmony and contrast of colours, [11] he introduced the law of color contrast, stating that colors that appear together (spatially or temporally) will be altered as if mixed with the complementary color of the other color, functionally boosting the color contrast between them. For example, a piece of ...
The maximum contrast of an image is termed the contrast ratio or dynamic range. In images where the contrast ratio approaches the maximum possible for the medium, there is a conservation of contrast. In such cases, increasing contrast in certain parts of the image will necessarily result in a decrease in contrast elsewhere.