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A German Requiem, to Words of the Holy Scriptures, Op. 45 (German: Ein deutsches Requiem, nach Worten der heiligen Schrift) by Johannes Brahms, is a large-scale work for chorus, orchestra, and soprano and baritone soloists, composed between 1865 and 1868.
The site CPDL.org was launched in December 1998 by Rafael Ornes. [3] [4] In 2005 CPDL was ported, or converted, to wiki format, and is known as ChoralWiki. [5] In July 2008, Ornes stepped back from the site administration and turned the operational responsibilities to a group of the site administrators.
This is a non-exhaustive list of recordings of Johannes Brahms' A German Requiem (Ein deutsches Requiem), Op. 45 (1868).The primary table features recordings of the standard version with full orchestra.
A. 3/14-19: Various sketches and sketchbooks see [6] for list A. 5a/1-3: Various collections of folk songs, notated by Brahms see [6] for list A. 5a/4-21: Various transcripts of other composers' works, notated by Brahms see [6] for list A. 5b/1-3: Various autograph text collections see [6] for list A. 6/1-19: Various works by other composers ...
Vier ernste Gesänge (Four Serious Songs), Op. 121, is a cycle of four songs for bass and piano by Johannes Brahms.As in his Ein deutsches Requiem, the texts are compiled from the Luther Bible.
A German Requiem may refer to: A German Requiem (Brahms) , a large-scale work for chorus, orchestra, and soloists, composed by Johannes Brahms and completed in 1869 A German Requiem (novel) , a 1991 novel set in post-war Germany by Philip Kerr
The delay was primarily due to Brahms's hesitation over how the piece should end. Hesitant to make a decision, he began work on the Alto Rhapsody, Op. 53, which was completed in 1869 and first performed in 1870. [2] Schicksalslied is considered to be one of Brahms's best choral works along with Ein deutsches Requiem.
Geistliches Lied (English: "Sacred Song" or "Spiritual Song"), Op. 30, by Johannes Brahms is an 1856 work for four-part mixed chorus accompanied by organ or piano.The composition is in the form of a double canon set to text by Paul Flemming.
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