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There are a range of interpretations over the relations between art and sustainability, besides the term 'sustainable art' promoted by Maja and Reuben Fowkes: Other authors prefer the broader notions of 'sustainability arts' or 'art and sustainability' (e.g. Sacha Kagan and Volker Kirchberg. [6]
Robert Morris, Observatorium, Netherlands. The growth of environmental art as a "movement" began in the late 1960s and early 1970s. In its early phases it was most associated with sculpture—especially Site-specific art, Land art and Arte povera—having arisen out of mounting criticism of traditional sculptural forms and practices that were increasingly seen as outmoded and potentially out ...
Ecological art is an art genre and artistic practice that seeks to preserve, remediate and/or vitalize the life forms, resources and ecology of Earth. Ecological art practitioners do this by applying the principles of ecosystems to living species and their habitats throughout the lithosphere, atmosphere, biosphere, and hydrosphere, including wilderness, rural, suburban and urban locations.
Langkawi Declaration - Life cycle assessment - Lifeboat ethics - List of climate change topics - List of conservation topics - List of environmental degrees - List of environmental health hazards - List of environmental issues - List of environmental studies topics - List of global sustainability statistics - List of large wind farms - List of ...
But that is the same evasion of responsibility, the same cop-out, that keeps Black women's art out of women's exhibitions, Black women's work out of most feminist publications except for the occasional ‘Special Third World Women's Issue,’ and Black women's texts off your reading lists.” [15] Lorde’s statement brings up how important it ...
In 1964, Brazilian women set up the Acào Democràtica Feminina Gaucha which soon evolved into an advocacy group for sustainable agriculture. [2] Women around the world were coming together in an effort to break the "continuum of Eurocentric patriarchal capitalist exploitation of natural resources, women, and of indigenous peoples." [2]
Similar concerns about gender parity in the art world are raised today. Assessing women in art in the twenty-first century, art historian Whitney Chadwick writes: "There remains an ongoing need to document women's unique contributions in areas of patronage, collaborative practice, photography and new media in a concise and widely available format."
The absence of women from the canon of Western art has been a subject of inquiry and reconsideration since the early 1970s. Linda Nochlin's influential 1971 essay, "Why Have There Been No Great Women Artists?", examined the social and institutional barriers that blocked most women from entering artistic professions throughout history, prompted a new focus on women artists, their art and ...