Search results
Results from the WOW.Com Content Network
Jacques-Louis David (French: [Ę’aklwi david]; 30 August 1748 – 29 December 1825) was a French painter in the Neoclassical style, considered to be the preeminent ...
This page was last edited on 28 November 2024, at 21:00 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
The Death of Marat (French: La Mort de Marat or Marat Assassiné) is a 1793 painting by Jacques-Louis David depicting the artist's friend and murdered French revolutionary leader, Jean-Paul Marat. [1]
Napoleon Crossing the Alps (also known as Napoleon at the Saint-Bernard Pass or Bonaparte Crossing the Alps; listed as Le Premier Consul franchissant les Alpes au col du Grand Saint-Bernard) is a series of five oil on canvas equestrian portraits of Napoleon Bonaparte painted by the French artist Jacques-Louis David between 1801 and 1805.
Oath of the Horatii (French: Le Serment des Horaces) is a large painting by the French artist Jacques-Louis David painted in 1784 and 1785 and now on display in the Louvre in Paris. [1] The painting immediately became a huge success with critics and the public and remains one of the best-known paintings in the Neoclassical style.
The Death of Socrates (French: La Mort de Socrate) is an oil on canvas painted by French painter Jacques-Louis David in 1787. The painting was part of the neoclassical style, popular in the 1780s, that depicted subjects from the Classical age, in this case the story of the execution of Socrates as told by Plato in his Phaedo. [1]
The Tennis Court Oath (Le Serment du Jeu de paume) by David. The Tennis Court Oath (French: Le Serment du Jeu de paume) is an incomplete painting by the French Neoclassical artist Jacques-Louis David, painted between 1790 and 1794 and showing the titular Tennis Court Oath at Versailles, one of the foundational events of the French Revolution.
Jacques-Louis David, Self-Portrait, 1791 The painting represents the artist facing himself. He appears on a yellow-gray plain background. David is dressed in a dark overcoat with wide chestnut lapels and a white shirt, tied with a scarf of the same color–a typical approach to fashion in the 1790s. [3]