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Rotosound was started in the late 1950s by James How, a musician and engineer by trade. How started manufacturing music strings for many famous artists across the world. As of 2022 It was still a family-run business, making all Rotosound strings in England. [1] [2] Rotosound's most famous string set, the RS66 Swing Bass, was first produced in 1966.
The end of the string that mounts to the instrument's tuning mechanism (the part of the instrument that turns to tighten or loosen string tension) is usually plain. . Depending on the instrument, the string's other, fixed end may have either a plain, loop, or ball end (a short brass cylinder) that attaches the string at the end opposite the tuning m
Since 2015 Steadman has been endorsed by Aria Bass Guitars, [28] [29] touring with 2x basses Detroit 313-DR & Detroit 313-BB, and recording with FEB-F2/FL or a Mexican Fender Jazz Bass. All are strung with roundwound strings except the Fender, on which Steadman has played with exclusively flatwound strings since 2009. [30]
He was an avid user of thick La Bella flatwound strings, as was James Jamerson. [14] While filming The Blues Brothers, Dunn used a sunburst early '70s Fender Precision bass with a rosewood fretboard and a "tortoiseshell" pickguard. He also used a red 1966 Precision in some of the scenes, a bass stamped "Demo" on the back, which was later fitted ...
He currently endorses Wilkins basses, [41] [237] as well as Fender Precision Basses and Taurus bass amplification. [238] He is a longtime user of LaBella flatwound bass strings. He briefly switched to the LaBella roundwound strings for a time, but was not satisfied with them and returned to flatwounds. He also uses Fender medium picks. [236]
Hall used flatwound strings gauges 11, 15, 20 (unwound), 30, 40, 50 (from high E to low E) and picks of varying thickness whose usage depended on what part he was playing. He would usually use medium picks for playing melodies, a thin pick if he would play a calypso, or "some kind of zany rhythmic thing" and heavy picks for ballads. [29]
Joseph "Lucky" Scott was an American bassist, and musical director. He is most recognized for his work with Curtis Mayfield, in particular the Super Fly album. While Lucky was predominantly the bassist and musical director for Curtis Mayfield, his credits also include The Impressions, Aretha Franklin, Natalie Cole, The Staple Singers, Leroy Hutson, Gladys Knight, and more.
Entirely self-taught, [6] his first bass was a copy of a Fender Precision model which cost him £40 in 1971. [4] Just ten months after he bought his first bass, Harris joined a band, initially known as Influence and later Gypsy's Kiss, featuring Bob Verscoyle (lead vocals), Dave Smith (guitar) and drummer Paul Sears. [7]
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