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The Caller (folk song) Can't Help Thinking About Me; The Cat Sat Asleep by the Side of the Fire; Catcheside-Warrington's Tyneside Songs; Catcheside-Warrington's Tyneside Stories & Recitations; John W. Chater; Chater's Annual; Cherry Ripe (song) Child Ballads; The Cliffs of Old Tynemouth; Cob coaling; Cock a doodle doo; Cock Robin; A Collection ...
The songs are listed in the index by accession number, rather than (for example) by subject matter or in order of importance. Some well-known songs have low Roud numbers (for example, many of the Child Ballads), but others have high ones. Some of the songs were also included in the collection Jacobite Reliques by Scottish poet and novelist ...
This is a list of Bob Dylan songs based on earlier tunes. Throughout his career, Bob Dylan has drawn inspiration from many traditional folk sources, including the songs written by Dylan listed below, which borrow from earlier works.
The Roud Folk Song Index is a database of around 250,000 [1] references to nearly 25,000 songs collected from oral tradition in the English language from all over the world. It is compiled by Steve Roud . [ 2 ]
Birch (song) Birmingham Jail; Birmingham Sunday; Black and White (Pete Seeger song) Black Betty; Black Is the Color of My True Love's Hair; Blind (SZA song) The Blinding of Isaac Woodard; Blowin' in the Wind; Blues Run the Game; Boat on the River; Boil Them Cabbage Down; Boundin' Breakaway (Kelly Clarkson song) Britney (song) Buffalo Gals; The ...
This is a list of folk song collections including pioneer and notable work in collecting folk songs. Many such collections were made in the 19th century. The earlier ones are often considered to be parts of the National Romanticist interests in folklore. The monumental efforts of single enthusiasts laid the foundation for the modern academic ...
This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.
The Harry Smith Anthology, as some call it, was the folk music Bible during the late 1950s and 1960s Greenwich Village folk scene. As the liner notes to the 1997 reissue say, musician Dave van Ronk had earlier commented that "We all knew every word of every song on it, including the ones we hated."