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The Human Be-In took its name from a chance remark by the artist Michael Bowen made at the Love Pageant Rally. [6] The playful name combined humanist values with the scores of sit-ins that had been reforming college and university practices and eroding the vestiges of entrenched segregation, starting with the lunch counter sit-ins of 1960 in Greensboro, North Carolina, and Nashville, Tennessee.
Hippie exploitation films are 1960s exploitation films about the hippie counterculture [178] with stereotypical situations associated with the movement such as marijuana and LSD use, sex and wild psychedelic parties. Examples include The Love-ins, Psych-Out, The Trip, and Wild in the Streets.
As a hippie Ken Westerfield helped to popularize Frisbee as an alternative sport in the 1960s and 1970s. Much of hippie style had been integrated into mainstream American society by the early 1970s. [57] [58] [59] Large rock concerts that originated with the 1967 Monterey Pop Festival and the 1968 Isle of Wight Festival became the norm ...
A hippie, also spelled hippy, [1] especially in British English, [2] is someone associated with the counterculture of the mid-1960s to early 1970s, originally a youth movement that began in the United States and spread to different countries around the world. [3]
Drop City was a counterculture artists' community that formed near the town of Trinidad in southern Colorado in 1960. Abandoned by 1979, Drop City became known as the first rural "hippie commune". [1] The Ultimate Painting, by Drop Artists, 1966, acrylic on panel, 60" × 60" Pythagorean Tree, by Drop Artists, 1967, acrylic on panel, 48" diam.
Alto, Isla Vista, 1967–1969 [9]; Berkeley Barb, Berkeley, 1965–1980; Berkeley Tribe, Berkeley, 1969–1972 (split from the Berkeley Barb after staff went on strike); The Black Panther, Oakland
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