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Daniel 2 (the second chapter of the Book of Daniel) tells how Daniel related and interpreted a dream of Nebuchadnezzar II, king of Babylon.In his night dream, the king saw a gigantic statue made of four metals, from its head of gold to its feet of mingled iron and clay; as he watched, a stone "not cut by human hands" destroyed the statue and became a mountain filling the whole world.
The Book of Daniel is a 2nd-century BC biblical apocalypse with a 6th-century BC setting. Ostensibly "an account of the activities and visions of Daniel, a noble Jew exiled at Babylon", [1] the text features a prophecy rooted in Jewish history, as well as a portrayal of the end times that is both cosmic in scope and political in its focus. [2]
It contains three types of commentary: (1) the p'shat, which discusses the literal meaning of the text; this has been adapted from the first five volumes of the JPS Bible Commentary; (2) the d'rash, which draws on Talmudic, Medieval, Chassidic, and Modern Jewish sources to expound on the deeper meaning of the text; and (3) the halacha l'maaseh ...
Biblical Hebrew is the main language of the Hebrew Bible. Aramaic accounts for only 269 [10] verses out of a total of over 23,000. Biblical Aramaic is closely related to Hebrew, as both are in the Northwest Semitic language family. Some obvious similarities and differences are listed below: [11]
The name Palmoni (Hebrew: פלמוני, romanized: Palmōnî) appears in the original Hebrew in the biblical book of Daniel. [1] The still widely used King James Version of 1611 refers to Palmoni indirectly as "that certain saint" – "or," as a marginal note from the translators says, "the numberer of secrets, or, the wonderful numberer: Heb. Palmoni."
A Mikraot Gedolot (Hebrew: מקראות גדולות, lit. 'Great Scriptures'), often called a "Rabbinic Bible" in English, [1] is an edition of the Hebrew Bible that generally includes three distinct elements: The Masoretic Text in its letters, niqqud (vocalisation marks), and cantillation marks; A Targum or Aramaic translation
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Daniel 3 forms part of a chiasmus (a poetic structure in which the main point or message of a passage is placed in the centre and framed by further repetitions on either side) within Daniel 2–7, paired with Daniel 6, the story of Daniel in the lions' den: [9] A. (2:4b-49) – A dream of four kingdoms replaced by a fifth B. (3:1–30 ...