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Alex Preston of The Observer went further, calling the book "beautiful and profound, certainly DeLillo's best since Underworld. [ 13 ] Joshua Ferris of The New York Times was effusive in his praise, declaring "sentence by sentence, DeLillo magically slips the knot of criticism and gives his readers what Nabokov maintained was all that mattered ...
The book offers a comprehensive look at number 0 and its controverting role as one of the great paradoxes of human thought and history since its invention by the ancient Babylonians or the Indian people. Even though zero is a fundamental idea for the modern science, initially the notion of a complete absence got a largely negative, sometimes ...
His first and best-known published book is Zero: The Biography of a Dangerous Idea (Viking, 2000). [3] Another well-known book from Seife is Proofiness: How You're Being Fooled By the Numbers (Penguin, 2010). [4] Here, Seife focuses on how much propaganda uses numbers worded in such a way that they confuse people and can be misinterpreted. [5]
In its starred review, Kirkus Reviews called The Silence a "vivid" book, and that "in its evocation of people in the throes of social crisis, it feels deeply resonant." [ 3 ] Publishers Weekly praised DeLillo's "mastery of dialogue" and said the work stood out among DeLillo's short fiction but felt "underpowered" compared to his novels.
The book is the only one in the trilogy that follows a single cohesive plot, with the sequels both featuring multi-strand narrative structures that culminate in the end. Count Zero consists of three major protagonists, and chapters alternate from one character's story to the next. The first of these is Turner, an ex-military mercenary.
Cosmopolis is the story of Eric Packer, a 28-year-old multi-billionaire and asset manager who makes an odyssey across midtown Manhattan to get a haircut. He drives around in a stretch limo, which is richly described as luxurious, spacious and highly technical, filled with television screens and computer monitors, bulletproofed and floored with Carrara marble.
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Zero Zero was an alternative comics anthology published by Fantagraphics Books from 1995 to 2000. It was printed in a typical 6½″ × 9¾″ comic book format. Issues ranged between 40 and 64 pages in length, printed mostly in black-and-white with a color cover but occasionally including sections printed in one or two colors, notably a series of stories by Al Columbia.