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  2. List of major/minor compositions - Wikipedia

    en.wikipedia.org/wiki/List_of_major/minor...

    Major/minor compositions are musical compositions that begin in a major key and end in a minor key (generally the parallel minor), specifying the keynote (as C major/minor). This is a very unusual form in tonal music, [ 1 ] [ 2 ] although examples became more common in the nineteenth century. [ 3 ]

  3. Tonality - Wikipedia

    en.wikipedia.org/wiki/Tonality

    Tonality is an organized system of tones (e.g., the tones of a major or minor scale) in which one tone (the tonic) becomes the central point for the remaining tones. The other tones in a tonal piece are all defined in terms of their relationship to the tonic.

  4. Key (music) - Wikipedia

    en.wikipedia.org/wiki/Key_(music)

    The key may be in the major or minor mode, though musicians assume major when this is not specified; for example "This piece is in C" implies that the key of the piece is C major. Popular songs and classical music from the common practice period are usually in one key. Longer pieces in the classical repertoire may have sections in contrasting keys.

  5. Modulation (music) - Wikipedia

    en.wikipedia.org/wiki/Modulation_(music)

    Starting from a major chord, for example G major (G–B–D), there are twelve potential goals using a common-tone modulation: G minor, G ♯ minor, B ♭ major, B major, B minor, C major, C minor, D minor, D major, E ♭ major, E major, E minor. [14] Thus common-tone modulations are convenient for modulation by diatonic or chromatic third.

  6. Function (music) - Wikipedia

    en.wikipedia.org/wiki/Function_(music)

    The concept of harmonic function originates in theories about just intonation.It was realized that three perfect major triads, distant from each other by a perfect fifth, produced the seven degrees of the major scale in one of the possible forms of just intonation: for instance, the triads F–A–C, C–E–G and G–B–D (subdominant, tonic, and dominant respectively) produce the seven ...

  7. Closely related key - Wikipedia

    en.wikipedia.org/wiki/Closely_related_key

    In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key.

  8. Otonality and utonality - Wikipedia

    en.wikipedia.org/wiki/Otonality_and_Utonality

    Thus otonality and utonality can be viewed as extensions of major and minor tonality respectively. However, whereas standard music theory views a minor chord as being built up from the root with a minor third and a perfect fifth , a utonality is viewed as descending from what's normally considered the "fifth" of the chord, [ 9 ] so the ...

  9. Major and minor - Wikipedia

    en.wikipedia.org/wiki/Major_and_minor

    Major and minor third in a major chord: major third 'M' on bottom, minor third 'm' on top. Major and minor may also refer to scales and chords that contain a major third or a minor third, respectively. A major scale is a scale in which the third scale degree (the mediant) is a major third above the tonic note.

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