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In 1528 a city decree ordained that each piece of Brussels tapestry over a certain size bear the woven mark of a red shield flanked by two B's; this aids in identifying Brussels production. Each tapestry was to include the woven mark of the maker or the merchant who commissioned the tapestry for resale.
Tapestry by Évrard Leyniers, Neptune gives birth to the horse by striking the earth with his trident, after a work by Jacques Jordaens, circa 1650-1660.. The Leyniers family (/lɛnɪjɛ/) is a bourgeois family that appeared in Brussels in the 15th century and produced many high-level tapestry makers and dyers, experts in the art of dyeing in subtle shades the woolen threads destined for this ...
Banner with couching, Belgium, 19th century Detail of the Bayeux Tapestry showing fillings in laid work. In embroidery, couching and laid work are techniques in which yarn or other materials are laid across the surface of the ground fabric and fastened in place with small stitches of the same or a different yarn.
The word tapestry derives from Old French tapisserie, from tapisser, [9] meaning "to cover with heavy fabric, to carpet", in turn from tapis, "heavy fabric", via Latin tapes (gen: tapetis), [10] which is the Latinisation of the Greek τάπης (tapēs; gen: τάπητος, tapētos), "carpet, rug". [11]
The first tapestries were brought by Queen Bona Sforza as her wedding dowry. [6] Then in 1526 and 1533, Sigismund I the Old ordered 108 fabrics in Antwerp and Bruges. [6] Most of the tapestries, however, were commissioned by king Sigismund II Augustus in Brussels [3] in the workshops of Willem and Jan de Kempeneer, Jan van Tieghem [7] and Nicolas Leyniers between 1550-1565. [8]
The family of de Pannemaeker or de Pannemaker were tapestry weavers from the Southern Netherlands, more or less equivalent to modern-day Belgium.Pieter de Pannemaeker (fl. 1517–32), working from Brussels, was a celebrated weaver who, for European royalty, created tapestries resplendent with gold and silver threads, and expensive fine silks and woollen items.
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