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[3] Gene Siskel of the Chicago Tribune, reviewing its first Chicago engagement in 1980, gave the film zero stars out of four and called it a "sleazy, unfunny sex comedy," admitting that "I lasted 30 minutes before walking out."
The website's consensus reads: "Don't Say a Word is slick and competently made, but the movie is routine and stretches believability with many eye rolling moments." [ 3 ] Metacritic , which uses a weighted average , assigned the film a score of 38 out of 100, based on 32 critics, indicating "generally unfavorable" reviews.
On review aggregator Rotten Tomatoes, Sightless holds an approval rating of 40% based on five reviews, with an average rating of 4.5/10. [6] From Ready Set Cut, Jonathon Wilson gave the film two stars out of five, criticizing it for its predictable twist, calling it "a drab", and summarizing it as "the kind of film that has been sat on a shelf for a while for reasons that are entirely ...
If you love those wisecracks and funny movie quotes in general, you've come to the right place, because we've collected a list of the absolute best lines from movies like "Young Frankenstein ...
When fictional television anchor Howard Beale leaned out of the window, chanting, "I'm mad as hell, and I'm not going to take it anymore!" in the 1976 movie 'Network,' he struck a chord with ...
[15] Rolling Stone had the same impression, writing, "You know the drill: Strong source material, in the form of A. Scott Berg's National Book Award-winning biography on Perkins, a top-notch screenwriter (John Logan) and a to-die-for A-list cast. Having all the right ingredients doesn't mean you can't royally screw up the recipe, however, and ...
A musical biopic is never going to be completely true to life. When you're crafting a dramatic arc, certain things have to be invented, imagined, condensed, and so forth.
May is a 2002 American psychological horror film written and directed by Lucky McKee [3] [4] in his directorial debut. Starring Angela Bettis, Jeremy Sisto, Anna Faris, and James Duval, the film follows a lonely young woman (Bettis) traumatized by a difficult childhood, and her increasingly desperate attempts to connect with the people around her.