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The double mahogany bentwood stands is the traditional indication that an ikebana headmaster of iemoto created the design standing on them. Solitary flower is a Phalaenopsis with a magnolia leaf and a Waialua driftwood.
Since flower arrangement became popular with Buddhism, it was naturally imbued with Buddhist philosophy. The Buddhist desire to preserve life lies at the root of much of ikebana practice, and has created most of the rules of flower arrangement, controlling also the shapes of the flower vases, formed as to help to prolong the life of the flowers ...
A pedestal (from French piédestal, from Italian piedistallo 'foot of a stall') or plinth is a support at the bottom of a statue, vase, column, or certain altars. Smaller pedestals, especially if round in shape, may be called socles. In civil engineering, it is also called basement.
The total number of distinct Egyptian hieroglyphs increased over time from several hundred in the Middle Kingdom to several thousand during the Ptolemaic Kingdom.. In 1928/1929 Alan Gardiner published an overview of hieroglyphs, Gardiner's sign list, the basic modern standard.
The palace has an elongated rectangular floor plan (17 x 80 m approximately) with the main entrance façade facing the Northwest and the rear façade facing the south-east facing garden. It has a built area of 6,302.15 m 2 [citation needed]. It is articulated in three main bodies, raised to three heights, to which are added two secondary bodies ...
Rickshaw art covers the whole rickshaw decoration, from painted backboards and rear side panels to cut-outs appliquéd on to hoods, as well as brass vases replete with plastic or paper flowers. The painted rectangular metal board at the backside, between the two wheels, leaves a trail of passion that the Rickshaw artist puts in his creations. [3]
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A selection of falangcai porcelains Bowl with peacock in falangcai painted enamels, Yongzheng reign. National Palace Museum. The origin of famille rose is not entirely clear. It is believed that this colour palette was introduced to the Imperial court in China by Jesuits, achieved through the use of purple of Cassius, initially on enamels used on metal wares such as cloisonné produced in the ...
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