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Spider-Man: Music from and Inspired by is a 2002 soundtrack album for the film Spider-Man. Although it contains a portion of the film score by Danny Elfman , a more complete album of Elfman's work was released as Spider-Man: Original Motion Picture Score .
Superman vs. The Amazing Spider-Man: The Battle of the Century is a comic book jointly published by Marvel Comics and DC Comics in March 1976. It was the second co-publishing effort between DC Comics and Marvel Comics following their collaboration on MGM's Marvelous Wizard of Oz, and the first modern superhero intercompany crossover.
The soundtrack for the 2018 American animated superhero film Spider-Man: Into the Spider-Verse, based on the Miles Morales incarnation of the Marvel Comics character Spider-Man and produced by Sony Pictures Animation, consists of a soundtrack featuring original songs written for and inspired by the film and an original score composed by Daniel Pemberton.
The song was featured in the closing credits of 2004's Spider-Man 2 and went on to become one of Bublé's first singles. Which actually worked against the singer initially. Which actually worked ...
During the ensuing chaos, Spider-Man's girlfriend is struck by a stray shot from one of his gang members. Spider-Man flees, with Captain America in pursuit. After a grueling battle, Captain America seemingly defeats Spider-Man, only to be confronted by yet another Spider-Man. The fight intensifies until each Spider-Man is ultimately defeated.
"Hero" is a song by Canadian musician Chad Kroeger (lead vocalist of Nickelback) and American musician Josey Scott (then lead vocalist of Saliva) for the soundtrack to the 2002 superhero film Spider-Man. It was written by Kroeger and recorded specifically for the film. [4] "
Although the soundtrack contains a portion of Danny Elfman's score, a more complete album of the film music was released as Spider-Man 2: Original Motion Picture Score. Tracks 10 and 11 are listed as "Bonus Tracks" as they were not used in the film ( John Debney and Christopher Young reworked several cues of the score, [ 14 ] in addition to ...
Number 28 (and final) in the Marvel Treasury Edition series, it is a sequel to 1976's Superman vs. the Amazing Spider-Man. Like the earlier Superman - Spider-Man crossover, the issue is noncanonical, as it assumes that the heroes and their respective cities of residence, Metropolis and New York, exist in the same universe.