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Pat Townshend designed the magnesium alloy guitar called, "The Staccato." The final guitar design featured a neck and bridge system that could be swapped out. The user could interchange a bass neck for a six string neck. Some models featured no volume or tone pots. The user could activate the volume controls on a touch sensitive LED pad.
The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.
Since these four chords are played as an ostinato, the band also used a vi–IV–I–V, usually from the song "Save Tonight" to the song "Torn". The band played the song in the key of D (E in the live performances on YouTube ), so the progression they used is D–A–Bm–G (E, B, C#m, A on the live performances).
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One of the main chord progressions in "Naked Eye" can be traced to the spring and summer of 1969 when the band was touring in support of the Tommy album. [1] [2] The three-chord riff (F6/9-Cadd9-G) was sometimes played during the group's very long and improvised versions of "Magic Bus" at that time, then later in expanded jams during "My Generation", as heard in the Live at Leeds version.
He has written several instruction books, such as The Jazz Guitar Soloist and Melodic Chord Phrases. [2] His early influences were jazz guitarists Wes Montgomery, Jim Hall, and Howard Roberts. He has played with Ray Brown, Ella Fitzgerald, Dizzy Gillespie, Milt Jackson, and Diana Krall. [3]
Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F♯, the tone a major third above D). Baroque guitar standard tuning – a–D–g–b–e
[1] [2] Written in A-flat, it is based on the chord changes of the jazz standard "(Back Home Again in) Indiana". [1] Beginning with an unusual half-bar rest, "Donna Lee" is a very complex, fast-moving chart with a compositional style based on four-note groups over each change.
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