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Acha Septriasa — Pop female singer and actress; ADA Band — Pop rock/alternative rock band; Addie MS — Music composer, producer and conductor; Afgan — Pop/R&B/soul male singer and actor; Agnez Mo — Indonesian-American pop/R&B/soul singer/songwriter, dancer and actress; Ahmad Albar — Rock musician and vocalist of God Bless
Noah, one of the most popular pop bands in Indonesia. Indo pop (Indonesian: Pop Indo), also known as Indonesian pop (Indonesian: Pop Indonesia) or I-pop, is loosely defined as Indonesian pop music; however, in a wider sense, it can also encompass Indonesian pop culture, which also includes Indonesian cinema and sinetrons (Indonesian TV dramas).
Rossa is the "Queen of Pop Indonesia" and "Music Legend" by Spotify, while Apple Music labels her as "Indonesia's Pop Icon." [ 174 ] [ 175 ] [ 176 ] Internationally renowned Indonesian singer Anggun C. Sasmi described Rossa as a performer with an alter-ego, navigating the roles of a singer, a businesswoman, and a mother. [ 177 ]
Indonesian pop music today, known simply as I-pop or Indo pop ("pop Indonesia") sometimes influenced by trends and recordings from West music,. [25] Although influences ranging from American pop , British pop , and also Asian J-pop are obvious, the Indonesian pop phenomenon is not completely derivative; it expresses the sentiments and styles of ...
"Bengawan Solo" (lit. "Solo River") is an Indonesian song written by Gesang Martohartono in 1940. The song is a description of the longest river in Java, Solo River.The song became popular in Indonesia during the Second World War and was one of the songs promoted nationally in the newly-independent country after the war.
120 Koleksi Lagu Wajib Nasional INDONESIA. Lembar Langit Indonesia. Sugesti, Murlina (2014). Koleksi Terlengkap Lagu Wajib Nasional. Lembar Langit Indonesia. ISBN 9780901388728. Abassy, Djamaludin (2011). Lagu-Lagu Wajib Nasional. Lembar Langit Indonesia. ISMN 9790801882011.
Orkes Melayu singer Ellya Khadam switched to dangdut in the 1970s, and by 1972, she was the number-one artist in Indonesia. Her success, along with that of Rhoma Irama, meant that by 1975, 75 per cent of all recorded music in Indonesia was of the dangdut genre, with pop bands such as Koes Plus adopting the style. [citation needed]
The Billboard Indonesia Top 100 was the standard record chart in Indonesia for Indonesian language and/or English-Indonesian language songs, compiled independently in collaboration with ASIRI, with Andhika Septian as the head of this project who also developed its data scoring methodology, published weekly by Billboard Indonesia.