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The Reflections recorded the vocal for the track several weeks later at the RCA recording studio in Chicago. According to Micale, the group's members still regarded the song as somewhat of a joke. While running through the song prior to the recording session they ad-libbed a falsetto "doo-doo-doot" hook line as irreverent mimicry of Gorman's ...
After the Satintones disbanded, Sanders left Motown in the early 1960s, but continued to work as an arranger on records including the Reflections "Just Like Romeo and Juliet". In 1965 he was recruited to work with record producer Carl Davis in Chicago, and arranged songs for Mary Wells , Edwin Starr 's "Agent Double-O-Soul", and Jackie Wilson ...
Choker Campbell & His 16-Piece Band 1960s Motown Records City Girls [1] 21st century Motown Chris Clark: 1960s V. I. P. Records Tom Clay: 1970s MoWest Records: Angela ...
Rare Earth Live in Chicago: Rare Earth: R-547 Rare Earth ... Dazz Band 6004ML Motown Throwin' Down: Rick James: 6005GL ... Motown Reflections: Rick James: Gordy
Chicago soul is a style of soul music that arose during the 1960s in Chicago. Along with Detroit , the home of Motown , and Memphis , with its hard-edged, gritty performers (see Memphis soul ), Chicago and the Chicago soul style helped spur the album-oriented soul revolution of the early 1970s.
This single, released at the height of the Summer of Love and long, hot summer of 1967 and the Vietnam War, was the first Supremes' release to delve into psychedelic pop; Holland–Dozier–Holland's production of the song, influenced by the psychedelic rock sounds of bands such as the Beatles and the Beach Boys, represented the beginning of a shift in Motown's sound towards psychedelia. [2]
The trumpeter and founding member of the legendary band Chicago tells PEOPLE about the group's forthcoming album – Chicago at the John. F. Kennedy Center for the Performing Arts, Washington D.C ...
Motown was the most successful soul music label, with a net worth of $61 million. Between 1960 and 1969, Motown had 79 songs reach the top-ten of the Billboard Hot 100. In March 1965, Berry Gordy and Dave Godin agreed to license the Tamla Motown label name for future UK releases through EMI Records Limited.