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Octave displacement is irrelevant to this aspect of musical grammar; for example, a parallel twelfth (i.e., an octave plus a fifth) is equivalent to a parallel fifth. [ nb 1 ] Parallel fifths are used in, and are evocative of, many musical genres, such as various kinds of Western folk and medieval music, as well as popular genres like rock music .
An example is the opening line of Lucan's epic on the Civil War: bella per Emathios – plus quam civilia – campos "Wars through the Emathian – more than civil – plains" Another example is the opening of Ovid's mythological poem Metamorphoses where the word nova "new" is in a different line from corpora "bodies" which it describes:
For example Play ⓘ: Parallel motion at an interval of a perfect fifth is known as parallel or consecutive fifths , and at an interval of an octave is known as parallel or consecutive octaves. Perfect intervals, i.e. the (perfect) unison, fifth and octave, are generally avoided in traditional counterpoint because they offer the lines so little ...
In fifth species counterpoint, sometimes called florid counterpoint, the other four species of counterpoint are combined within the added parts. In the example, the first and second bars are second species, the third bar is third species, the fourth and fifth bars are third and embellished fourth species, and the final bar is first species.
The word "couplet" comes from the French word meaning "two pieces of iron riveted or hinged together". The term "couplet" was first used to describe successive lines of verse in Sir P. Sidney's Arcadia in 1590: "In singing some short coplets, whereto the one halfe beginning, the other halfe should answere."
Decasyllabic quatrain is a poetic form in which each stanza consists of four lines of ten syllables each, usually with a rhyme scheme of AABB or ABAB. Examples of the decasyllabic quatrain in heroic couplets appear in some of the earliest texts in the English language, as Geoffrey Chaucer created the heroic couplet and used it in The Canterbury Tales. [1]
Concerted evolution (phenomenon of duplicated genes) may often be caused by the genetic exchange known as gene conversion. [3] This other phenomenon is known as the "non-reciprocal exchange of genetic material between homologous sequences."
A line in which accents fall consistently on even-numbered syllables ("Al còr gentìl rempàira sèmpre amóre") is called iambic (giambico) and may be a greater or lesser hendecasyllable. This line is the simplest, commonest and most musical but may become repetitive, especially in longer works.
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