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"Hit Me with Your Rhythm Stick" is a song by Ian Dury and the Blockheads, first released as a single on Stiff Records in the UK on 1 December 1978 and credited to "Ian & the Blockheads". Written by Dury and the Blockheads' multi-instrumentalist Chaz Jankel, it is the group's most successful single, reaching number one on the UK Singles Chart in January 1979 as well as reaching the top three in ...
"Hit Me with Your Best Shot" is a song recorded by American rock singer Pat Benatar and written by Eddie Schwartz. In 1980, it was released as the second single from her second album Crimes of Passion, which became her biggest-selling album. It hit No. 7 in Cash Box, and reached No. 9 on the Billboard Hot 100, becoming her first Top 10 hit in ...
"Hit That Perfect Beat" is a song by British synth-pop band Bronski Beat from their second album, Truthdare Doubledare (1986). It reached number three on the UK Singles Chart in January 1986 and entered the top 10 in several European countries, Australia, and South Africa.
The piece, initially called "Hit Me Baby," was written by Swedish music producer and songwriter Max Martin for TLC, the three-woman American R&B group. We finally know the meaning of 'Hit Me Baby ...
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The Nation of Ulysses song "The Sound of Jazz to Come" reworks the song's title into "she hit me it felt like a kiss" after riffing on John Coltrane's "A Love Supreme." Lana Del Rey uses the line "Hit me and it felt like a kiss" in her 2014 song "Ultraviolence" from the album of the same name. Prior to this, she used it in her unreleased song ...
McKinley kicked off certain uptempo songs by asking pianist Freddie Slack (nicknamed "Daddy") to give him a boogie beat, or "eight to the bar". McKinley, in a discussion with the jazz writer George Simon relates, "We were playing one of them (a boogie, blues) one night at the Famous Door and two songwriters, Don Raye and Hughie Prince , were there.
[13] The Guardian said this cover showed a new and more "dark" side of the band, commenting "slowed down to a mournful crawl, it was amazing how ominous the couplet "This loneliness is killing me / Hit me, baby, one more time" sounded". [92] PopWreckoning.com called it "perhaps the most well done cover of Britney's catalyst to eternal fame". [93]