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The Open Hand Monument is a symbolic structure designed by the architect Le Corbusier and located in the Capitol Complex of the Indian city and union territory of Chandigarh. It is the emblem and symbol of the Government of Chandigarh and symbolizes "the hand to give and the hand to take; peace and prosperity, and the unity of mankind". [1]
A hanging hamsa in Tunisia. The hamsa (Arabic: خمسة, romanized: khamsa, lit. 'five', referring to images of 'the five fingers of the hand'), [1] [2] [3] also known as the hand of Fatima, [4] is a palm-shaped amulet popular throughout North Africa and in the Middle East and commonly used in jewellery and wall hangings.
Note that it may still be copyrighted in jurisdictions that do not apply the rule of the shorter term for US works (depending on the date of the author's death), such as Canada (50 p.m.a.), Mainland China (50 p.m.a., not Hong Kong or Macao), Germany (70 p.m.a.), Mexico (100 p.m.a.), Switzerland (70 p.m.a.), and other countries with individual treaties.
Drawing Hands is a lithograph by the Dutch artist M. C. Escher first printed in January 1948. It depicts a sheet of paper, out of which two hands rise, in the paradoxical act of drawing one another into existence. This is one of the most obvious examples of Escher's common use of paradox.
Pointing with the left hand is taboo in some cultures. [26] Pointing with an open hand is considered more polite or respectful in some contexts. [27] In Nicaragua, pointing is frequently done with the lips in a "kiss shape" directed towards the object of attention. Different cultures may point using a range of variations on index finger pointing.
Loyalists in Northern Ireland occasionally use a red clenched fist on murals depicting the Red Hand of Ulster, which is also featured on the flag of Ulster. [20] Irish republicans, on the other hand, have been seen displaying raised fists. [21] The image gallery shows how a raised fist is used in visual communication.
An ambidextrous artist is able to draw eight photo-realistic portraits at the same time using both hands and her feet. Rajacenna, 30, holds paintbrushes in all four limbs to create her masterpieces.
The Emperor Napoleon in His Study at the Tuileries (1812), exhibiting the hand-in-waistcoat gesture. The hand-in-waistcoat (also referred to as hand-inside-vest, hand-in-jacket, hand-held-in, or hidden hand) is a gesture commonly found in portraiture during the 18th and 19th centuries. The pose appeared by the 1750s to indicate leadership in a ...