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Beethoven's Piano Sonata No. 21 in C major, Op. 53, known as the Waldstein, is one of the three most notable sonatas of his middle period (the other two being the Appassionata, Op. 57, and Les Adieux, Op. 81a).
Many classical compositions belong to a numbered series of works of a similar type by the same composer. For example, Beethoven wrote 9 symphonies, 10 violin sonatas, 32 piano sonatas, 5 piano concertos, 16 string quartets, 7 piano trios and other works, all of which are numbered sequentially within their genres and generally referred to by their sequence numbers, keys and opus numbers.
[9] Sonata No. 10: Sonate F-sharp minor 1817 571 unfinished Piano Sonata in F-sharp minor, D. 571: 5 9 9 [10] 147 (p) Sonata No. 11: Sonate B major Aug 1817 575 Four movements 13 Variations on a theme by Anselm Hüttenbrenner: 13 Var. A minor 1817 576 Scherzo same B-flat major 1817 593 #1 Allegretto Scherzo same D-flat major 1817 593 #2 Allegro ...
Piano Sonata No. 21 may refer to: Piano Sonata No. 21 (Beethoven) Piano Sonata No. 21 (Schubert) This page was last edited on 29 ...
The structure of the finale of the Sonata in A major is borrowed from the finale of Beethoven's Piano Sonata, Op. 31, No. 1, as evident through numerous parallels in structural features. [ 74 ] Numerous additional, less obvious similarities to works by Beethoven have been frequently mentioned in the literature.
Piano Sonata No. 6 in F major; Piano Sonata No. 7 in D major; Opus 13: Piano Sonata No. 8 in C minor ("Pathétique") (1798) Opus 14: Two Piano Sonatas (1799) Piano Sonata No. 9 in E major (Also arranged by the composer for String Quartet in F major (Hess 34) in 1801) Piano Sonata No. 10 in G major; Opus 22: Piano Sonata No. 11 in B-flat major ...
Piano sonatas are usually written in three or four movements, although some piano sonatas have been written with a single movement (Liszt, Scriabin, Medtner, Berg), others with two movements (Haydn, Beethoven), some contain five (Brahms' Third Piano Sonata, Czerny's Piano Sonata No. 1, Godowsky's Piano Sonata) or even more movements.
Donald Tovey wrote about the Grand Duo in 1935, mostly reiterating Schumann's views, and further contributing to the conflation of the Gmunden-Gastein Symphony with the piano four-hands Sonata. [25] [27] [29] [69] According to Tovey, Schubert's Sonata was void of pianistic characteristics.
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