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Ma Lin (simplified Chinese: 马麟; traditional Chinese: 馬麟; pinyin: Mǎ Lín; Wade–Giles: Ma Lin) (c. 1180 – after 1256 [1]) was a Chinese court painter during the Song dynasty active during the early to mid 13th century. [2] He was the son of the famous Chinese painter Ma Yuan, [3] from whom he learned the art of painting. [4] One of ...
Six Persimmons (Chinese: 六柿圖; pinyin: liùshì tú) is a 13th-century Chinese painting by the monk Muqi Fachang. It was painted during the Song dynasty. Muqi was one of the two great exponents of the spontaneous mode of Chinese painting (the other being Liang Kai). It features six persimmons on an undefined background. It is painted in ...
13th; 14th; 15th; 16th; 17th; 18th; Subcategories. ... Pages in category "13th-century paintings" The following 12 pages are in this category, out of 12 total.
Muqi, Detail of dusk over fisher's village, from the handscroll "Eight Views of Xiao and Xiang", circa 1250, Collected in Nezu Art MuseumMuqi or Muxi (Chinese: 牧谿; Japanese: Mokkei; 1210?–1269?), also known as Fachang (Chinese: 法常), was a Chinese Chan Buddhist monk and painter who lived in the 13th century, around the end of the Southern Song dynasty (1127–1279).
Raphael: The Betrothal of the Virgin (1504), Pinacoteca di Brera, Milan.. Italian Renaissance painting is the painting of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring in the Italian Peninsula, which was at that time divided into many political states, some independent but others controlled by external powers.
— One of the world’s most famous paintings is now on display at the Nelson-Atkins Museum. Called “Under the Wave off Kanagawa,” this painting has inspired countless artists over the past ...
The Mocking of Christ measures 25.8 cm × 20.3 cm × 1.2 cm (10.16 in × 7.99 in × 0.47 in) and depicts the mocking of Jesus prior to his crucifixion. [2] The work is painted with egg tempera on a gold leaf background, on a thinned and slightly bowed poplar panel prepared with layers of gesso ground in which a canvas is embedded.
Both paintings feature an angel playing music, in keeping with the tradition of medieval representations of angel musicians. [1] The figure of the angel musician dates back to the 13th century. It has evolved over the centuries to proclaim the glory of an illustrious figure from the Bible, such as the Virgin Mary, Mother of God.