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Revati is a rāgam in Carnatic music (musical scale of South Indian classical music). It is an audava rāgam (or owdava rāgam, meaning pentatonic scale). It is a janya rāgam (derived scale), as it does not have all the seven swaras (musical notes).
Charulatha Mani is a leading Carnatic music vocalist and cine playback singer and with a huge fan following in India and abroad. Gifted with a rich, melodious voice, and amazing creativity she has a vast repertoire of compositions of various genres, and this has made her one of the most popular and renowned artistes of today.
The Maharajapuram Santhanam Day is celebrated on 3 December every year. His sons Maharajapuram S. Srinivasan, Maharajapuram S. Ramachandran, and his primary disciple Dr. R. Ganesh are now carrying on his musical tradition.
Charukesi scale with Shadjam at C. It is the 2nd rāgam in the 5th chakra Bana.The mnemonic name is Bana-Sri.The mnemonic phrase is sa ri gu ma pa dha ni. [1] Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):
On the other hand, the lyrics (sahitya) of these compositions are entirely Indian and consistent with the rest of the stotra-literature, or other songs addressed to similar deities. [ 1 ] Sometimes the name "nottuswaram" is used to refer to other compositions based on Western notes, not necessarily by Muthuswami Dikshitar.
In Carnatic music, Neraval also known as Niraval or Sahitya Vinyasa is the elaboration and improvisation of melody for a particular line. Usually, just one or two lines of text from the song (from the anupallavi or charanam part of the kriti) are sung repeatedly, but with improvised elaborations. [1]
Janaka ragas, or Sampoorna ragas, are parent ragas from which more ragas are derived.As the name suggests, Sampoorna ragas are those in which all seven swaras are present.
Shubhapantuvarali scale with shadjam at C. It is the 3rd rāgam in the 8th chakra Vasu.The mnemonic name is Vasu-Go.The mnemonic phrase is sa ra gi mi pa dha nu. [1] Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):