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bowl gouge – a deep fluted gouge used to turn the outside and inside of bowls and vessels. Often has a thicker shaft and longer handle than a spindle gouge because it has to cut farther away from the tool rest and deal with the forces of turning a large bowl. Sometimes called 'long and strong' gouge. [22]
Example of bowl turning. This is a list of woodturners - notable people who are known for their woodturning by means of using a pole lathe or a wood lathe with hand-held tools to cut a shape that is symmetrical around the axis of rotation, resulting in a wooden figure or figurine, or in the sculptural ornamentation of a wooden object.
A lathe faceplate is a basic workholding accessory for a wood or metal turning lathe. It is a circular metal (usually cast iron) plate which fixes to the end of the lathe spindle. The workpiece is then clamped to the faceplate, typically using t-slot nuts in slots in the faceplate, or less commonly threaded holes in the faceplate itself.
Both his grandfather, George William Lailey (1782–1871) [1] and his father William (1847–1912) were also bowl-turners, specialising in the production of bowls and plates from elm wood using a pole lathe. [2] George Lailey was particularly noted for his exceptional skill of turning bowls in a 'nest', one inside another. [3]
Hard turning is a type of turning done on materials with a Rockwell C hardness greater than 45. It is typically performed after the workpiece is heat treated. [3] The process is intended to replace or limit traditional grinding operations. Hard turning, when applied for purely stock removal purposes, competes favorably with rough grinding.
Segmented turning, also known as polychromatic turning, is a form of woodturning on a lathe where the initial workpiece is composed of multiple parts glued together. The process involves gluing several pieces of wood to create patterns and visual effects in turned projects.
Richard Raffan was born in 1943 at Zeal Monachorum in Devon, United Kingdom. He lived in Sydney, Australia from 1947 to 1950, and returned to Devon where he was raised. He studied at Exeter College of Art and Design, then worked in a wine shipper before beginning turning in England in 1970. [1]
Bob Stocksdale (1913 – January 6, 2003) [1] [2] was an American woodturner, known for his bowls formed from rare and exotic woods. He was raised on his family farm [ 2 ] and enjoyed working with tools.