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The horse motif was the first image to be engraved. Later, vertical lines are overlain across the body and in front of the horse. The overall effect creates an impression of a palisade, fence or even falling spears. If this is the case, we might be seeing a scene in which horses are guided by a wooden structure—maybe for hunting purposes.
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Bascinet without accessories. The bascinet – also bassinet, basinet, or bazineto – was a Medieval European open-faced combat helmet.It evolved from a type of iron or steel skullcap, but had a more pointed apex to the skull, and it extended downwards at the rear and sides to afford protection for the neck.
The drawing was long thought to be a portrait of a living person, until in the 1870s Jacob Burckhardt discovered it was actually a study of a statue of Joan II, Countess of Auvergne, wife of John, Duke of Berry, a companion statue of whom Holbein also sketched (the drawing is in Kunstmuseum Basel, as well).
Automatic drawing – Blind contour drawing – this action is performed were the artist looks at the object and does not look at the canvas or sketch pad; Contour drawing – Chiaroscuro – using strong contrasts between light and dark to achieve a sense of volume in modeling three-dimensional objects such as the human body.
Don Quixote is a 1955 sketch by Pablo Picasso of the Spanish literary hero and his sidekick, Sancho Panza.It was featured on the August 18–24 issue of the French weekly journal Les Lettres Françaises in celebration of the 350th anniversary of the first part, published in 1605, of the Miguel de Cervantes novel Don Quixote.
Anggitay – A strictly-female creature that has the upper body of a human with the lower body of a horse. Centaur – A creature that has the upper body of a human with the lower body of a horse. Khepri – The dung beetle-headed Egyptian God. Kinnara – Half-human, half-bird in later Indian mythology. Kurma – Upper-half human, lower-half ...
The Rearing Horse and Mounted Warrior or Budapest horse is a bronze sculpture attributed to Leonardo da Vinci. Depicting Francis I of France on a destrier horse, it is estimated to have been cast from a clay or wax model in the first half of the 16th century. [1] The sculpture is in the permanent exhibit of the Budapest Museum of Fine Arts.