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Balinese theatre and dramas include Janger dance, pendet dance performances, and masked performances of Topèng. Performances are also part of funeral rituals involving a procession, war dance, and other rituals before the cremation of the patulangan. [1] Balinese use the word sesolahan for both theatre and dance. [1] Arja (dance), Balinese ...
Arja (Balinese: ᬅᬃᬚ), also known as Balinese opera, is a popular form of Balinese theatre which combines elements of opera, dance, and drama. [1] It was created in 1825 for the funeral of a Balinese prince. In the beginning, it had an all-male cast, but since the 20th century, all performers (including those playing men) have been women. [2]
The earliest music notation discovered is a piece of guqin music named Jieshi Diao Youlan (Chinese: 碣石調·幽蘭) during the 6th or 7th century. The notation is named "Wenzi Pu", meaning "written notation". The Tang manuscript, Jieshidiao Youlan (碣石調·幽蘭) The tablature of the guqin is unique and complex.
The kepatihan cipher system records the two fixed elements of Javanese gamelan music: the melodic framework (or balungan (literally, skeleton)) represented by numbers, and the set of punctuating gongs that define the form, represented by circles and other symbols. All of the other parts are not notated, but realized by the players at the time ...
Some have five keys (1, 2, 3, 5, and 6) but seven key jublag are also commonly found in Bali (though gong kebyar ensembles typically do not use notes 4 and 7, using only the pelog selisir scale). It usually plays at submultiples of the pokok ; the keys are struck more frequently than the jegogan and usually less frequently than the ugal ...
Balinese gamelan. Balinese Music (1991) by Michael Tenzer, ISBN 0-945971-30-3. Included is an excellent sampler CD of Balinese Music. Gamelan Gong Kebyar: The Art of Twentieth-Century Balinese Music (2000) by Michael Tenzer, ISBN 0-226-79281-1 and ISBN 0-226-79283-8. Music in Bali (1966) by Colin McPhee. New Haven, CT: Yale University Press.
Combining dance, music, and acting, gambuh draws on the narrative material of the Malat, a long poem about the fictional Javanese prince, Raden Panji. He is separated from his fiancée, Rangkesari (known as Candra Kirana in Javanese versions of the story), after she goes wandering in the forest and gets swept up by a gust of wind.
Kebyar Duduk (Balinese: ᬓᭂᬩ᭄ᬬᬃᬥᬸᬥᬸᬓ᭄) is a traditional Balinese dance created by a Balinese man I Ketut Marya and first performed publicly in 1925. Inspired by the development of the quick-paced gamelan gong kebyar , kebyar duduk is named for the seated and half-seated positions taken by the dancers.