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The first jazz artist to be given some liberty in choosing his material was Louis Armstrong, whose band helped popularize many of the early standards in the 1920s and 1930s. [3] Some compositions written by jazz artists have endured as standards, including Fats Waller's "Honeysuckle Rose" and "Ain't Misbehavin'".
Al Jolson (born Asa Yoelson, Yiddish: אַסאַ יואלסאָן; May 26, 1886 – October 23, 1950) was a Lithuanian-born American singer, actor, and vaudevillian.. He was one of the United States' most famous and highest-paid stars of the 1920s, [2] and was self-billed as "The World's Greatest Entertainer". [3]
The Jazz Singer contains those, as well as numerous synchronized singing sequences and some synchronized speech: Two popular tunes are performed by the young Jakie Rabinowitz, the future Jazz Singer; his father, a cantor, performs the devotional Kol Nidre; the famous cantor Yossele Rosenblatt, appearing as himself, sings an excerpt of another ...
Gladys Alberta Bentley (August 12, 1907 – January 18, 1960) [1] was an American blues singer, pianist, and entertainer during the Harlem Renaissance.. Her career skyrocketed when she appeared at Harry Hansberry's Clam House, a well-known gay speakeasy in New York in the 1920s, as a black, lesbian, cross-dressing performer.
“One can plausibly argue that the debate over jazz was just one of many that characterized American social discourse in the 1920s” (Ogren 3). In 1919, jazz was being described to white people as “a music originating about the turn of the twentieth century in New Orleans that featured wind instruments exploiting new timbres and performance techniques and improvisation” (Murchison 97).
The Jazz Singers: A Smithsonian Collection of Jazz Vocals from 1919-1994 is a box set containing five CDs released by the Smithsonian Institution in 1998. It is organized thematically, rather than chronologically. Half of the categories overlap from one disc to another.
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The Années folles (French pronunciation: [ane fɔl], "crazy years" in French) was the decade of the 1920s in France. It was coined to describe the social, artistic, and cultural collaborations of the period. [1] The same period is also referred to as the Roaring Twenties or the Jazz Age in the United States.