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Nam quốc sơn hà (chữ Hán: 南 國 山 河, lit. ' Mountains and Rivers of the Southern Country ' ) is a famous 10th- to 11th-century Vietnamese patriotic poem . Dubbed "Vietnam's first Declaration of Independence", [ 1 ] it asserts the sovereignty of Vietnam 's rulers over its lands.
Nguyễn Nhật Ánh (born May 7, 1955 [1] [2]) is a Vietnamese author who writes for teenagers and adults.He also works as a teacher, poet and correspondent. His works include approximately 30 novels, 4 essays, 2 series and some collections of poems.
Việt Nam vong quốc sử (越南亡國史), by Phan Bội Châu in Japan in 1905 Some of these Literary Chinese texts are still taught in school. For example, the poem Nam quốc sơn hà ( 南國山河 ) by Lý Thường Kiệt , is in the textbook used by schools in Vietnam. [ 3 ]
Đặng Thân is a bilingual poet, fiction writer, essayist and critic, based in Vietnam.There he is regarded "the typical figure of Post-Doi Moi Literature", [1] and considered "the best humourist ever" and even an "awesomely brilliant genius". [1]
Phạm Duy (5 October 1921 – 27 January 2013) was one of Vietnam's most prolific songwriters with a musical career that spanned more than seven decades through some of the most turbulent periods of Vietnamese history and with more than one thousand songs to his credit, [1] he is widely considered one of the three most salient and influential figures of modern Vietnamese music, along with ...
The Đại Việt sử ký toàn thư (chữ Hán: 大越史記全書; Vietnamese: [ɗâːjˀ vìət ʂɨ᷉ kǐ twâːn tʰɨ]; Complete Annals of Great Việt) is the official national chronicle of the Đại Việt, that was originally compiled by the royal historian Ngô Sĩ Liên under the order of the Emperor Lê Thánh Tông and was finished in 1479 during the Lê period.
The Việt điện u linh tập history book that were compiled with [Ngô surname sources] all mention Lý Thường Kiệt's father named An Ngữ, and was a "Sùng ban Lang tướng". The An Nam chí lược history book in the Lý dynasty has two names Sùng ban and Lang tướng, but that policy copies the two names apart.
In their monumental book of literary criticism, Thi nhân Việt Nam (1932–1941), Hoài Thanh and Hoài Chân recounted the initial surprise and hesitation amongst contemporary Vietnamese writers when Xuân Diệu entered their world with his heavily French-inspired poetry. Nevertheless, as they grew more familiar with the young poet, they ...